Albuquerque Journal

‘GROUNDBREA­KING’ PREMIERE

Robert Mirabal, Festival Ballet Albuquerqu­e join for live performanc­e, film

- BY ROZANNA M. MARTINEZ JOURNAL STAFF WRITER

Ahybrid of music and dance performed live and on film is part of a collaborat­ive production that will premiere at Motorama at the Downs Santa Fe.

The special event will take place on Friday, April 30 and Saturday, May 1. Both nights, two-time Grammy Award winner Robert Mirabal will perform live at sunset alongside Festival Ballet Albuquerqu­e dancing a newly choreograp­hed piece by New York City ballet icon Jock Soto. The piece is set to Mirabal’s song “Memoir Chaco.” It will be followed by the premiere of “Sacred Journeys II” a live stage performanc­e film made in collaborat­ion among Festival Ballet Albuquerqu­e, Mirabal and Soto.

“The funny thing about the film, the irony of it is that the last performanc­e that we did of Sacred Journeys II, I did a three-camera shoot,” said Patricia Dickinson Wells, director of Festival Ballet Albuquerqu­e. “And the plan at that point was to use it as a background to build a documentar­y about putting this collaborat­ion together because it was so groundbrea­king. … And so the plan was that we were going to start building a documentar­y and it was going to be last spring. Well, then the pandemic hit and we were waiting.”

It has been more than a year since Festival Ballet Albuquerqu­e has performed. The troupe is happy to be performing again at some capacity as well as finally being able to premiere the performanc­e film.

“Although it is a small group, it is exciting,” Dickinson Wells said. “The film is a fully edited and colorized performanc­e video of the last collaborat­ion with Robert Mirabal and Jock Soto as the spring 2020 planned collaborat­ion/performanc­e was obviously canceled.”

The performanc­e film “Sacred Journeys II” features choreograp­hy by Soto, Dickinson Wells, Vladimir Conde Reche, and Dominic Guerra. The film features 35 dancers and took about five months of preparatio­n. The pieces were choreograp­hed to Mirabal’s music. One of the dances, choreograp­hed by Dickinson Wells and performed to Mirabal’s song “Little Indians,” incorporat­es American Sign Language in the movements.

“I admire sign language,” Dickinson Wells said. “First of all, it’s beautiful movement in and of itself. … I think that the beauty of the movement of ASL would work well with this particular story.”

Mirabal, who is from Taos Pueblo, has been described as a Native American “Renaissanc­e man” with many titles to his name, including musician, composer, painter, master craftsman, poet, actor, screenwrit­er, horseman and farmer. Dickinson Wells knew she had to work with Mirabal after seeing a special presentati­on on PBS in 2005 that featured Mirabal’s “Music From a Painted Cave.”

“It was just glorious,” she said. “And I loved every part of it. And I always thought of, you know, working, choreograp­hing to his music. And the years went by, and then actually in 2017, I contacted him. And he left me a voicemail that yes, he would love to collaborat­e. And so we did our first performanc­e.”

Soon after Dickinson Wells met Mirabal, she met Soto, who later became part of the collaborat­ions. Soto was born in Gallup to a Navajo mother and Puerto Rican father. At age 11, he began dancing at the School of American Ballet. He has performed in more than 100 ballets during his 24-year career.

“(Soto is) another internatio­nally known ballet star, and he had retired to Eagle Nest,” Dickinson Wells said. “And so I was bringing him in to guest teach the master classes, and we got to talking and so he came in on this project as well.”

 ?? COURTESY OF PAT BERRETT ?? ”Courtship Song” with Festival Ballet Albuquerqu­e dancers and Robert Mirabal in “Sacred Journeys II — Live Stage Performanc­e Video.”
COURTESY OF PAT BERRETT ”Courtship Song” with Festival Ballet Albuquerqu­e dancers and Robert Mirabal in “Sacred Journeys II — Live Stage Performanc­e Video.”

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