Albuquerque Journal

Indigenous film aims to stop whitewashi­ng of killings

Government bounties drove scalping during British colonial era

- BY DAVID SHARP

PORTLAND, Maine — Most Americans know about atrocities endured by Native Americans after the arrival of European settlers: wars, disease, stolen land. But they aren’t always taught the extent of the indiscrimi­nate killings.

Members of the Penobscot Nation in Maine have produced an educationa­l film addressing how European settlers scalped — killed — Indigenous people during the British colonial era, spurred for decades by cash bounties and with the government’s blessing.

“It was genocide,” said Dawn Neptune Adams, one of the three Penobscot Nation members featured in the film, called “Bounty.”

She said the point of the effort isn’t to make any Americans feel defensive or blamed. The filmmakers say they simply want to ensure this history isn’t whitewashe­d by promoting a fuller understand­ing of the nation’s past.

At the heart of the project is a chilling declaratio­n by Spencer Phips, lieutenant governor of the Province of Massachuse­tts Bay.

Issued in November 1755, it gave “His Majesty’s Subjects” license to kill Penobscots for “this entire month.” The reward was about $12,000 in today’s dollars for the scalp of a man, and half that for a woman’s scalp. The amount was slightly less for a child. Settlers who killed Indigenous people were sometimes rewarded with land, in addition to money, expanding settlers’ reach while displacing tribes from their ancestral lands.

The declaratio­n is familiar to many Penobscots because a copy of the document was displayed at the tribal offices at Indian Island, Maine.

“If every American knew the whole history of this country, even the dark and uncomforta­ble parts, it would help us to get along better and to understand each other better,” said Maulian Dana, who codirected the film with Neptune Adams.

Both Europeans and Native Americans engaged in scalping, but English colonists greatly expanded the practice when the government sanctioned the effort with bounties, the filmmakers said.

The first known colonial scalping order is from 1675. That’s just a few short decades after the first Thanksgivi­ng in 1621, when Pilgrims gathered with Wampanoag people for a harvest celebratio­n, said Chris Newell, who is Passamaquo­ddy and wrote “If You Lived During the Plimoth Thanksgivi­ng.”

All told, there were more than 70 bounty proclamati­ons encouragin­g white colonists to kill tribal members in what’s now New England, and another 50 government-sanctioned proclamati­ons elsewhere across the country, the filmmakers’ research found.

Emerson Baker, a Salem State University professor who specialize­s in New England history, called the tribal education effort “a powerful course correction.”

“Most people realize that Native Americans were here first and that the colonists did their best to remove them from the land. They just have no idea of the extremes that it took,” Baker said. “Pretty much any Native American man, woman or child was considered fair game at times, and sometimes by the government.”

Neptune Adams and Dana, along with Tim Shay and their families, were filmed at the Old State House in Boston. It’s the same location where Lt. Gov. Phips’ scalping order was signed.

In “Bounty,” the three participan­ts describe having nightmares of Penobscots being chased through the woods, and discuss the dehumaniza­tion and massacre of their people.

“When you learn about a people’s humanity, that affects how you treat my kids, how you vote on public policy, how you may view my people,” Dana said.

 ?? ROBERT F. BUKATY/ASSOCIATED PRESS ?? Dawn Neptune Adams co-directed “Bounty,” a film that focuses on the Phips Proclamati­on of 1755, which directed settlers to hunt and kill Indigenous people for money.
ROBERT F. BUKATY/ASSOCIATED PRESS Dawn Neptune Adams co-directed “Bounty,” a film that focuses on the Phips Proclamati­on of 1755, which directed settlers to hunt and kill Indigenous people for money.

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