Albuquerque Journal

‘Looking for Jane’ is gripping and relevant

- BY DONNA EDWARDS

Gripping from the moment it begins, Heather Marshall’s novel “Looking for Jane” is getting a well-deserved re-release to hit the post-Roe v. Wade United States market.

The story kicks off with a striking prologue: A letter informing Nancy that she was adopted is misdeliver­ed, then misplaced. Years later, when Angela discovers it in a dusty antique drawer, it sends her down a road of discovery as she digs through generation­s of women in an effort to reunite the letter with its intended recipient.

But, despite the author’s clear stand on the side of abortion rights for all women, the novel is well-rounded in its representa­tion of women in various stages of their lives with different reproducti­ve goals.

Nancy is horrified after she begrudging­ly accompanie­s a friend to an illegal abortion in 1979, when the two are in their teens. Angela is undergoing another stressful round of in vitro fertilizat­ion attempts for a desperatel­y wanted pregnancy in 2017. And in 1960, Evelyn finds herself at one of Canada’s homes for unwed mothers.

Replete with oddly satisfying descriptio­ns — “a pale, doughy man with a voice like cold oatmeal” — and good-natured cliffhange­rs, “Looking for Jane” has the momentum of a high-speed chase as Angela races back to uncover the past and Nancy and Evelyn’s timelines converge and then speed toward the future.

Marshall approaches these incredibly personal and emotionall­y difficult topics with empathy. Rare moments of fury or spite are tempered with a genuine look at the love and fear behind them, rendering characters sympatheti­c — people just trying to make the best choices they can under the circumstan­ces. This continual, underlying warmth keeps the chilling subject matter from dampening the novel as a whole. Instead, comforting pops of color adorn the story: a flourishin­g summer lawn blooming with roses, the silky skin of a newborn, warm tea with family.

The late-book twist is impossible to see coming, but Marshall provides receipts, rendering it valid, clever and satisfying.

“Looking for Jane” also brings historical research to the table, drawing upon real-life accounts of often abusive post-war unwed mothers’ homes and even including a fictionali­zed version of Holocausts­urvivor-turned-abortion-provider Henry Morgentale­r.

Between the rolling back of abortion and health care rights in the United States after Roe v. Wade was overturned in June, and the ongoing national reckoning that countries including Canada and Ireland are facing for atrocities committed in church-run homes, “Looking for Jane” is as relevant today as when it was originally released a year ago, and has the potential to remain pertinent for generation­s.

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