American Art Collector

BRAD KUNKLE: THE ALCHEMIST By Michael Clawson

Brad Kunkle turns lead into silver and gold for his newest show at Arcadia Contempora­ry.

- BY MICHAEL CLAWSON

In Alejandro Jodorowsky’s landmark 1973 surrealist film The Holy Mountain, a thief ascends a great tower on a golden hook. At the top of the tower, in a rainbow throne room, an alchemist transmutes elements from the thief’s body into solid gold. Later, on a path to enlightenm­ent, the thief and the alchemist assemble a party that treks through a world filled with the bizarre, grotesque, profound and obscene. Amid it all, though, is a persistent motif: Creation is not bound by the physical world. Gold can come from flesh, eternal life from holy mountains, enlightenm­ent from the absurd. This is the backbone of alchemy, and it’s something that Brad Kunkle has been pondering for his new show at Arcadia Contempora­ry. “The show is called alkəmē. This is how the word alchemy appears in a dictionary for pronunciat­ion. I thought it was fitting because it’s kind of a literal manifestat­ion of a meaning of the word. Alchemy is an ancient branch of natural philosophy—a magical process of creation and transforma­tion with the pursuit to attain a perfected final state,” Kunkle says from his New York studio. “On a broad scope, I’ve been exploring the idea of magical thinking and alchemy, which led me to literal spell casters… the history of witchcraft, etc. And all of that looped me back to the broader initial fascinatio­n with magical thinking and alchemy. Whether someone is a practicing witch or a catholic priest, or even just someone who believes in serendipit­y, the commonalit­y is that they all believe that there is an invisible world that can affect their lives. Magical thinking is a strong force that has been a part of the human story since the dawn of time, and it’s an endless source of inspiratio­n for me.”

He adds: “My ancestors are German and immigrated to an area of Pennsylvan­ia that is rich with hexenmeist­ers (spell masters) and hex signs on barns. I started to research this more and realized that my family was even ‘casting’ traditiona­l folk spell remedies without knowing it. Just three generation­s back there are stories of rubbing a potato on a wart and saying a prayer three times to get the wart to fall off. There’s a historical tradition of casting spells in the name of the Christian Trinity. It’s called pow-wow. This crossing of ‘witchcraft’ and Christiani­ty blew my mind… but only reinforced the initial journey I went on to explore magical thinking.”

 ??  ?? 1
Brad Kunkle in his Brooklyn, New York, studio.
2
The Tilth, oil, gold leaf and silver leaf on wood, 24 x 18"
1 Brad Kunkle in his Brooklyn, New York, studio. 2 The Tilth, oil, gold leaf and silver leaf on wood, 24 x 18"

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