American Fine Art Magazine

Surreal and Cerebral

WOLFS Gallery guides collectors through the 20th century, highlighti­ng the thought-provoking artwork of Clarence Holbrook Carter

- By Memories, Study for Sentinels “B” Balancing Act.the

An upcoming exhibition at WOLFS Gallery in Cleveland explores the career of surrealist artist Clarence Holbrook Carter.the gallery, which represents the estate of the artist, showcases more than 200 works, including the artist’s eminent architectu­ral paintings, otherworld­ly landscapes and symbolic portraits.

WOLFS Gallery director Michael Wolf explains the significan­ce of Cleveland as a major art destinatio­n at the turn of the 20th century, where Carter studied.“it so happens that Carter was a graduate of the Cleveland School of Art (now the Cleveland Institute of Art), and because of our long history in Cleveland we’ve become

associated with the well-known artists who [attended the school]. Cleveland at the turn of the century was the biggest lithograph­ic and printing community in the world, and artists flocked all over the world to Cleveland because they could make great money in that industry,”wolf says.“all of the silent movie posters in this country were printed in Cleveland, and there’s this evolution, this community that evolves into this wonderful artistic community.”

Carter emerged as an American scene painter in the

1930s and ’40s, his works having a sense of surrealism and often depicting tense societal issues of the time-the Great Depression, for instance. Eventually in the 1960s and ’70s he refined his precision as an artist, employing the egg or ovoid symbol seen in many of his works, like Eschatos #16, Haunted

and, most prominentl­y, artist said,“beyond reality I felt there must be another realm to explore. I needed some symbol broader and more encompassi­ng than human figures within actual environmen­ts. I experiment­ed with symbols that grew naturally into the ovoid. Pure abstractio­n never satisfied me completely. I needed a contact with all that was and is.the ovoid has been an understand­able symbol and a living part of life and cultures. It not only symbolizes life but also death and rebirth.”

 ??  ?? Clarence Holbrook Carter (1904-2000), Haunted by Memories, 1986. Acrylic and pastel on paper, 40 x 56 in.
Clarence Holbrook Carter (1904-2000), Haunted by Memories, 1986. Acrylic and pastel on paper, 40 x 56 in.
 ??  ?? Clarence Holbrook Carter (1904-2000), Blonde, 1932. Oil on canvas, 20 x 16 in.
Clarence Holbrook Carter (1904-2000), Blonde, 1932. Oil on canvas, 20 x 16 in.

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