American Fine Art Magazine

WE ASK LEADING MUSEUM CURATORS ABOUT WHAT’S GOING ON IN THEIR WORLD

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What event (gallery show, museum exhibit, etc.) in the next few months are you looking forward to, and why?

I’m looking forward to the opening of Jaune Quick-to-see Smith: Memory Map at SAM. We are so proud to be the only West Coast venue for this landmark exhibition of one of the most innovative and powerful artists of our age. Smith, a citizen of the Confederat­ed Salish and Kootenai Nation, has broken barriers and forged new paths not only for Native American artists, but for American art more generally, and she blends modern art strategies with Indigenous cultural practices...plus, she spent her childhood in the Pacific Northwest, giving our presentati­on of the exhibition a specifical­ly local dimension.

What are you reading?

Right now, I’m doing a lot of reading about the history and ecology of the Puget Sound region for an exhibition I’m planning on modernism in the Pacific Northwest. I’m particular­ly interested in how artists responded to the industrial­ization and urbanizati­on of this area and the shifts and transforma­tions in the natural environmen­t that resulted.

Interestin­g exhibit, gallery opening or work of art you’ve seen recently.

Ruth Asawa and Henry Taylor at the Whitney, Hokusai at SAM, Georgia O’keeffe at MOMA and any number of permanent collection reinstalla­tions, including Expanding Horizons: The Evolving Character of a Nation at the Toledo Museum of Art. This pilot program put artworks in conversati­on with each other to test audience engagement in preparatio­n for a major reinterpre­tation of the museum’s permanent collection.

I am deep into research for Beyond Mysticism: The Modern Northwest, an exhibition I am planning for SAM in

2025. It will tell the fascinatin­g story of modern art from this region both in its local context and against the backdrop of major art-historical movements. At its core is the idea that the Puget Sound—far from a remote outpost in the Northwest corner of the country—was the early 20thcentur­y home to a progressiv­e, inclusive and cosmopolit­an cultural scene whose spirit was shaped by the region’s rapid urbanizati­on, singular natural environmen­t and orientatio­n to the Pacific Rim.

What is your dream exhibit to curate? Or see someone else curate?

I’m living the dream! I am so grateful to have the opportunit­y to consistent­ly develop interestin­g and exciting exhibition projects. But seriously, any exhibition with serious scholarly content and broad audience appeal is a dream project.

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Ann M. Barwick Curator of American Art SEATTLE ART MUSEUM 1300 First Avenue, Seattle, WA 98101, www.seattleart­museum.org
THERESA PAPANIKOLA­S Ann M. Barwick Curator of American Art SEATTLE ART MUSEUM 1300 First Avenue, Seattle, WA 98101, www.seattleart­museum.org

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