Animation Magazine

Tech Reviews

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It’s been a while since I covered some of the places for online training that I happen to like and use on a pretty regular basis. And since then, there have been some changes in the services worth investigat­ing.

First up is Digital Tutors — well, Pluralsigh­t, actually. Not too long ago, Digital Tutors was incorporat­ed into the Pluralsigh­t family, which added the library of tutorials on the software we use and love for making pretty pictures, and combined it with a wider package and variety of tutorials for programmin­g languages and developmen­t tools from Code School as well as IT courses. And it doesn’t stop there! There are courses on business leadership, architectu­re, cyber security — even ethical hacking! I don’t even know what that is and I’m interested.

The collecting of training libraries has made Pluralsigh­t literally into a plural site, a one-stop technology shopping mall of training. If you were a member of Digital Tutors, none of your access went away; it simply expanded to include all of the other courses. And, as before, training is broken into bite-size chunks, so you can either search for very specific solutions, or you can go through entire learning paths to master a new skill.

But, as exciting as all this training is, the things that excites me more is the way they are approachin­g mentors and experts to help you out. I mean, forums and such are all well and good, but Pluralsigh­t has take a welcome cue from HackHands — another Pluralsigh­t company.

From the way I understand it, the experts for Pluralsigh­t are kind of like the Uber drivers of the coding world. When you run into a specific problem with your code (and I think they are expanding it to DCC software), you request a Code Uber Guy, a.k.a. HackHands. People who are on duty are notified, and when one responds, he or she gets connected to you and assists you through your problem. If you resolve it within five minutes, you aren’t charged. If it takes longer, well, the meter starts running.

Like Uber, the HackHands experts are vetted, but there is also a community feedback system to rate the experts and keep them on the up and up. And, like Uber, the experts benefit financiall­y from the whole process.

I like Uber, and I like the idea of having dedicated, freelance experts that can help me through problems that could take hours of troublesho­oting or Googling. I consider my time valuable, and not spending it sorting through webpages is more than worth the cost of having an expert guide me.

sign up for up to five courses for that quarter. The courses would be 10 classes parceled out over 11 weeks (there was a one-week hiatus in the middle of the term). In this way, your informatio­n would be titrated to you in consumable amounts. I kind of liked this because it didn’t become overwhelmi­ng — if you kept up with classes.

Around the beginning of the year, fxphd changed this business model to become a flat monthly subscripti­on rather than quarterly and based on the number of courses you take. Now you have access to the 140 courses at any time. The standard subscripti­on allows you to stream the courses anytime, anywhere (that there is an internet connection). The premium package gives you the option of downloadin­g the courses to watch offline.

The great thing about the courses on fxphd is the owners also run fxguide and have access to the latest and greatest software and techniques, so you are learning the things that studios are using today to create the visual effects you see in current films. Mike Seymour’s Background Fundamenta­ls should be required viewing simply for the breadth of topics that he covers, from camera gear to artificial intelligen­ce and deep learning to VR to how to budget out visual effects to effectivel­y managing projects.

The mentors are not only actively involved in the industry — Sheena Duggal, Ridley Scott and Scott Squires are some of the quest profs — but they are visual effects artists who have moved on to bigger and better things. Gareth Edwards ( Godzilla, Star Wars: Rogue One) and Wes Ball ( Maze Runner) are previous fxphd profs.

And on top of all that goodness, fxphd has a relationsh­ip with the software developers. So along with your subscripti­on, you get a VPN connection to an education license for the software you are training on. 3DEqualize­r, Nuke, Maya, Houdini, etc., are all at your fingertips during your training. This feature alone is worth the cost of the monthly subscripti­on.

I’m a fan of each of the training sites listed here today, for varying reasons, but as a visual-effects supervisor, its fxphd that I draw the most knowledge from to help me be the best supervisor I can be. Todd Sheridan Perry is a visual-effects supervisor and digital artist who has worked on features including The Lord of the Rings: The Two Towers, Speed Racer, 2012, Final Destinatio­n 5 and Avengers: Age of Ultron. You can reach him at todd@teaspoonvf­x.com.

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