Antelope Valley Press

Norton Juster, ‘The Phantom Tollbooth’ author, dies

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NEW YORK (AP) — Norton Juster, the celebrated children’s author who fashioned a world of adventure and punning punditry in the million-selling classic “The Phantom Tollbooth” and remained true to his wideeyed self in such favorites as “The Dot and the Line” and “Stark Naked,” has died at 91.

Juster’s death was confirmed Tuesday by a spokespers­on for Random House Children’s Books, who did not immediatel­y provide details. Juster’s friend and fellow author Mo Willems tweeted Tuesday that Juster “ran out of stories” and died “peacefully” the night before.

“Norton’s greatest work was himself: a tapestry of delightful tales,” Willems wrote.

“The Phantom Tollbooth,” published in 1961, followed the adventures of young Milo through the Kingdom of Wisdom, a land extending from The Foothills of Confusion to The Valley of Sound, populated by the imperiled princesses Rhyme and Reason and the fearsome Gorgons of Hate and Malice.

Drawings were provided by his roommate at the time, Jules Feiffer, who would later collaborat­e with Juster on “The Odious Ogre,” published in 2010. Eric Carle of “The Very Hungry Caterpilla­r” fame illustrate­d Juster’s “Otter Nonsense,” which came out in 1982.

As Juster wrote in the introducti­on to a 1999 reissue of “The Phantom Tollbooth,” he first thought of the book when he was in his late 20s and working at an architectu­ral firm in New York City. He found himself

wondering, the way a child might, about how people relate to the world around them.

He had received a grant for a book on urban planning and spent months researchin­g it before a boy’s “startling” question — overheard by Juster in a restaurant — changed his narrative and changed his life: “What’s the

biggest number there is?”

“I started to compose what I thought would be about a child’s confrontat­ion with numbers and words and meanings and other strange concepts that are imposed on children,” he wrote. “I loved the opportunit­y to turns things upside down and inside out and indulge in all the bad jokes and puns and wordplay that my father had introduced me to when I was growing up.”

Another Juster admirer, Maurice Sendak, would praise the book’s “excitement and sheer delight in glorious lunatic linguistic acrobatics.” A 1970 film adaptation starred Butch Patrick of “The Munsters” fame, and “The Phantom Tollbooth” was later made into a musical, with a score by Arnold Black and lyrics by Sheldon Harnick.

Juster’s wife of 54 years, Jeanne, died in 2018. They had a daughter, Emily.

Juster, a native of New York City, was the son and brother of architects and he never turned entirely from his family craft. He continued to write books, while co-founding the architectu­ral firm Juster Pope Associates, in Shelburne Falls, Massachuse­tts, and his stories often combined his seemingly opposite gifts for structure and absurdity.

“The Dot and the Line: A Romance in Mathematic­s” is a love triangle as only Juster could have imagined — between a straight and straight-laced line, a dotty dot and a swinging squiggle. (Animator Chuck Jones adapted it into an Oscar-winning short film).

“Stark Naked” finds an undressed protagonis­t wandering in the town of Emotional Heights, encounteri­ng such characters as the intellectu­al Noel Lott and school principal Martin Nett.

 ?? THE NEW YORK TIMES ?? Norton Juster in 2011 at his home in Northampto­n, Mass.
THE NEW YORK TIMES Norton Juster in 2011 at his home in Northampto­n, Mass.

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