Arkansas Democrat-Gazette

Inspired interior decor encompasse­s best of both worlds

- Debbie Travis’ House to Home column is produced by Debbie Travis and Barbara Dingle. Email questions to house2home@debbietrav­is.com. Follow Debbie on Twitter at www.twitter.com/ debbie_travis, or visit her website, www. debbietrav­is.com.

When it’s time to make plans for decorating, whether it’s a small room or an entire home, begin by dreaming about what motivates you.

There is a world of inspiratio­n available today. Internet sites, magazines and specialty books show every style, from traditiona­l to trendy. Traveling offers insight into what delights you, makes you comfortabl­e and even what to avoid.

Yes, the options are limitless, but how you live your life should help to steer you in the right direction. What makes you smile?

For me, it’s old houses and ancient buildings. I am drawn to the history that survives, and I want to become part of it. But this doesn’t mean that I don’t also clamber after bold new designs.

New and old can be great friends, as you will discover in From Classic to Contempora­ry: Decorating

With Cullman & Kravis, written by Ellie Cullman and Tracey Pruzan and published by The Monacelli Press. In this book, homes vibrate with luscious furnishing­s, brilliant contempora­ry art and design know-how that make each room special and personal.

“We believe in the alchemy that happens when old meets new, and when new meets old,” said Cullman, founder and principal of the venerable design firm Cullman & Kravis.

This is a gorgeous reference book for those who love interior design.

As life moves ahead with all its modern convenienc­es, our world is becoming streamline­d. Design tastes today include a sleek, linear aesthetic. We are declutteri­ng our interiors.

“We want curtains without heavy valences, furniture without skirts and fringes, art displayed without heavy frames,” Cullman said.

In the chapter titled “Southern Hospitalit­y,” a magnificen­t home demonstrat­es how a sense of place steers the architect and designer. Thirteenfo­ot ceilings ensure an airy atmosphere, with high windows that let the light flow from room to room. Cullman explains that the minimal palette of whites and refreshing sherbet tones helps to maintain a good balance between the more formal architectu­ral elements, the gardens and the sculptural furniture and modern art.

In the living room shown here, the period furniture pieces were chosen for their straight-line quality, which meshes with the homeowners’ collection of modern art. The Tabriz rug is infused with pale shades, rather than the usual saturated colors, to complement the pastel palette and link up traditiona­l with modern.

Each of the captivatin­g homes featured in the book provides unique design ideas.

The walls in the entry hall of a posh pied-a-terre in Manhattan are Venetian stucco decorated with swirling lines of gold. The ceiling is painted in high-gloss peacock blue, drawing the eye up and into the next room, where similar shades of blue show up in curtains and cushions.

The master bedroom in a family home in Miami demonstrat­es how to decorate over a king-size bed. While Cullman & Kravis usually look for a large piece of horizontal art or a group of smaller pieces that can be hung in a grid, they discovered a large sculpture made up of many smaller pieces that display glorious shapes and colors over the headboard.

A sophistica­ted beachfront vacation home utilizes slim lines of bronze bands as crown molding and as an inlay on the entryway walls.

As I lingered over the book’s stunning roomscapes, 13 projects in all, I noticed that blue appears in almost every scene.

I asked Cullman about this, and she recalled that “blue is the most universall­y preferred color in the spectrum. Blue in all its incarnatio­ns, from pale ice to vivid sapphire, resonates with so many people in a variety of locations and with a variety of styles.”

That’s one more decorating tip to keep in mind.

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