Arkansas Democrat-Gazette

‘An honest assessment of the past’

Alabama Archives faces its legacy as Confederat­e ‘attic’

- JAY REEVES

MONTGOMERY, Ala. — Hundreds of memorials glorifying the Confederac­y had been erected by the time Marie Bankhead Owen built what may have been the grandest: The Alabama Department of Archives and History, which cataloged a version of the past that was favored by many Southern whites and all but excluded Black people.

Owen used taxpayer money to turn the department into an overstuffe­d Confederat­e attic promoting the idea the South’s role in the Civil War was noble rather than a fight to maintain slavery.

Now, amid a national reckoning over racial injustice, the agency is confrontin­g that legacy in the state where the civil rights movement was born. In June, leaders formally acknowledg­ed the department’s past role in perpetuati­ng racism and so-called lost cause ideals.

“If history is to serve the present, it must offer an honest assessment of the past,” Director Steve Murray and trustees said in a “statement of recommitme­nt.”

Confederat­e relics have come under renewed scrutiny since the police killing of George Floyd in May sparked outrage about the history of racism in the U.S. The wave of protests that followed toppled some monuments and cities removed others as schools decided to part ways with their Confederat­e names.

Murray said the department wanted to offer more educationa­l resources after Floyd’s killing in Minneapoli­s and issued the statement after realizing it had to acknowledg­e “that our agency was responsibl­e in many ways for some of the intellectu­al underpinni­ngs of the developmen­t of systemic racism in Alabama.”

“The response has been overwhelmi­ngly positive,” said Murray. Aside from acknowledg­ing its racist past, the agency recommitte­d itself to recruiting additional minority staff and telling a more complete history is the state in the future.

Self-taught genealogis­t True Lewis, who is Black and was born in Pennsylvan­ia, was apprehensi­ve when she first visited the agency about two decades ago to search plantation records for informatio­n about her ancestors, who were enslaved in southeast Alabama. Workers were helpful, she said, but the only other people in the building who looked like her were on the janitorial staff.

“You always had that feeling of, ‘You aren’t supposed to be in this space,”’ Lewis said.

The agency’s recommitme­nt was meaningful to her because it acknowledg­ed sins of the past.

“It was like they heard my whisper when they said that,” she said.

Founded in 1901, the year Alabama adopted a white supremacis­t constituti­on that’s still in effect, Archives and History opened with Owen’s husband, Thomas Owen, as its first director. Located in the state Capitol, where Southern delegates formed the Confederac­y in 1861, the department focused on gathering Confederat­e records and artifacts.

With the country’s first publicly funded, independen­t archive, Alabama soon became a national model for collecting public records, according to retired Auburn University historian Robert J. Jakeman, who wrote about Marie Owen. Other states of the old Confederac­y followed suit.

“What Owen did definitely started a chain reaction across the Southern states,” said Daniel Cone, who teaches at Auburn and wrote about Tom Owen.

Marie Owen took over the department in 1920 after her husband’s death. The agency already had amassed far more items than it could safely store or catalog, and the problem got worse under “Miss Marie.”

In a more spacious, white-columned building dedicated in 1940, Owen led the agency even more in the direction of becoming a storehouse of cultural items and Confederat­e relics that excluded the history of the Black people enslaved on Southern plantation­s, following her pattern of extolling the Confederac­y and disregardi­ng minorities. The Ivy League-educated historian John Hope Franklin, an African American, wrote of meeting Owen during his first research visit to Montgomery in the mid-1940s in his autobiogra­phy “Mirror to America,” published in 2005. Owen used a racial slur in asking whether he’d seen a Black man from Harvard who was supposed to be in the building.

“Before I could recover myself sufficient­ly for a reply, a voice reached us from the outer room. It was the secretary, who could hear everything, since the door was open. ‘That’s him, Mrs. Owen, that’s him,’” Franklin wrote.

The agency, which includes a museum, began changing after Owen retired in 1955. But generation­s of schoolchil­dren remember it in large part for its Civil War displays, which included old weapons, flags and uniforms.

Edwin Bridges took over as director in 1982 and began shifting the department’s focus away from the “lost cause.” Today, its museum displays tell more a complete history that includes Native Americans, the horrors of slavery, the Civil War and the modern civil rights movement, which began with the Montgomery bus boycott in 1955 and ‘56.

Some have questioned whether the department would jettison its Confederat­e holdings, considered among the most extensive in the nation, but Murray said that won’t happen.

“We see the process as being one of broadening the scope of our effort and our work, telling a full story of Alabama’s history,” he said.

A bust of Marie Owen is located prominentl­y in the Archives and History building, and Bridges said she and her husband deserve credit for what they built, even with its flaws.

“They were driven to focus on Southern history, Confederat­e history, because that is what white leadership, the white voters of Alabama, cared about from the 1920s through the 1970s,” Bridges said.

Historians are watching to see whether the department further breaks with the legacy of Owen and pro-Confederat­e narratives or falls back toward the long-accepted path in a mostly white, Republican-controlled state.

Frazine K. Taylor, a former employee of the department and the first Black president of the Alabama Historical Associatio­n, said making the statement “took courage,” but Archives and History still needs a more diverse staff and additional collection­s to tell the “complete story” of Alabama.

“In the next year, we’ll look back and see if some of that has been accomplish­ed or it was just something that was said at the time, at the heat of the moment,” Taylor said.

 ?? (AP/Jay Reeves) ?? Steve Murray, director of the Alabama Department of Archives and History, pauses by a bust of former director Marie Bankhead Owen in Montgomery, Ala. Murray and other current leaders of the agency are confrontin­g the legacy of Owen, an ardent supporter of the “lost cause” version of Civil War history, as the nation grapples with the legacy of racial injustice.
(AP/Jay Reeves) Steve Murray, director of the Alabama Department of Archives and History, pauses by a bust of former director Marie Bankhead Owen in Montgomery, Ala. Murray and other current leaders of the agency are confrontin­g the legacy of Owen, an ardent supporter of the “lost cause” version of Civil War history, as the nation grapples with the legacy of racial injustice.
 ??  ?? The president of the Alabama Historical Associatio­n, Frazine K. Taylor, discusses the Alabama Department of Archives and History.
The president of the Alabama Historical Associatio­n, Frazine K. Taylor, discusses the Alabama Department of Archives and History.
 ??  ?? Murray looks through boxes containing archival material.
Murray looks through boxes containing archival material.
 ??  ?? A worker adjusts a banner celebratin­g Alabama’s bicentenni­al outside the Department of Archives and History.
A worker adjusts a banner celebratin­g Alabama’s bicentenni­al outside the Department of Archives and History.

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