Arkansas Democrat-Gazette

Names and faces

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■ Pat Robertson, who turned a tiny Virginia television station into a global religious broadcasti­ng network, is stepping down after a half-century running the “700 Club” on daily TV, the Christian Broadcasti­ng Network announced on Friday. Robertson, 91, said in a statement that he hosted the network’s flagship program for the last time Friday, and that his son Gordon Robertson will take over the weekday show starting Monday. “I will no longer be the host of the ‘700 Club’ after, I think, 54 years of hosting the program,” Robertson said on the show on Friday, although he vowed to return from time to time, if he’s had a “revelation” he needs to share. “I thank God for everyone that’s been involved. And I want to thank all of you.” Robertson’s Christian Broadcasti­ng Network started airing on Oct. 1, 1961, after he bought a bankrupt UHF television station in Portsmouth, Va. The “700 Club” began production in 1966. Now based in Virginia Beach, CBN says its outreach extends to more than 100 countries and territorie­s in dozens of languages through TV and video evangelism, online ministry and prayer centers. Robertson, who ran for president in 1988, also founded the Christian Coalition, galvanizin­g American evangelica­ls into a conservati­ve political force.

■ Scarlett Johansson and the Walt Disney Co. settled her lawsuit over the streaming release of “Black Widow,” bringing a swift end to what had begun as the first major fight between a studio and star over recent changes in rollout plans for films. Johansson, 36, filed the lawsuit in Los Angeles Superior Court two months ago, saying the streaming release of the Marvel movie breached her contract and deprived her of potential earnings. “I am happy to have resolved our difference­s with Disney,” said Johansson, who has played Natasha Romanoff aka Black Widow. Alan Bergman, chairman of Disney Studios Content, said he is “pleased that we have been able to come to a mutual agreement.” The lawsuit said Johansson’s contract guaranteed an exclusive theatrical release, with her potential earnings tied to the box office performanc­e of the film. But, as it has with other recent releases during the coronaviru­s pandemic, Disney released the film simultaneo­usly in theaters and through its streaming service Disney+. The lawsuit accused Disney of intentiona­lly preventing “Ms. Johansson from realizing the full benefit of her bargain with Marvel.” Disney countered that the changed release plan “significan­tly enhanced her ability to earn additional compensati­on on top of the $20M she has received to date.”

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Johansson
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Robertson

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