Arkansas Democrat-Gazette

Yellen etches her mark on history with new bills

Updated design first with woman’s signature

- ALAN RAPPEPORT

Cash may seem old-fashioned these days. Especially as debates over digital currencies make headlines and Treasury Secretary Janet Yellen fields questions about ideas to mint a $1 trillion platinum coin to avert a debt-ceiling crisis.

But in much of the world, cash is still king.

In December, Yellen made history on a trip to the Bureau of Engraving and Printing in Fort Worth, where she signed commemorat­ive notes at the unveiling of a batch of dollar bills.

It was the first time that U.S. bank notes, which have been signed by 29 previous Treasury secretarie­s, featured the signature of a female Treasury secretary.

It also marked one of the rare occasions when the nation’s currency has been remade. Here’s an in-depth look at how it’s done.

STEP 1: ENGRAVING

The updated bill design, including the new signature, is etched onto metal that will be used for printing.

The process of making money requires teams of experience­d designers and engravers who etch the plates with portraits, vignettes, lettering and ornamentat­ion. The designs are crafted with aesthetics and security in mind.

A tool called a pantograph, which has been used for more than a century, scales the engravings so that they can fit on working plates and in smaller sizes and printed on the notes that are exchanged around the world.

Currency redesigns can take many years, except when a new Treasury secretary takes over. The new signature is usually added in a matter of months, beginning with a ceremonial signing that is captured digitally and engraved onto the metal plates that are the primary building blocks for printing the bills.

The signature of the secretary can sometimes be hard to read. Yellen joked in December that the founding fathers did not account for the “terrible handwritin­g” of the nation’s Treasury secretarie­s and acknowledg­ed that she had practiced her penmanship.

STEP 2: PLATEMAKIN­G

Technician­s use the etchings to construct the plates that will transfer the images to paper.

Printing presses require a set of three to four metal plates, which take up to eight days to produce. The images are transferre­d to the plates using what are essentiall­y giant cookie cutters, known as steel dies. Then the plates must be cleaned and polished.

Once the plates are inspected, they are chrome-plated so that they are hard enough to go through the printing press, which requires 65 tons of force to transfer the images from the plates to the paper.

STEP 3: PRINTING

There are several steps: The back of the notes are printed first, then inspected. Then the front is printed.

The bills are printed with a mix of black and color-shifting ink or metallic ink for higher denominati­ons. The ink is a special blend to deter counterfei­ting.

The paper itself is a mix of linen and cotton and red and blue fibers that are interspers­ed to further complicate attempts to make fake bills. Different notes also have specific security features, such as watermarks and threads.

For most denominati­ons, high-speed offset printers that can print 10,000 sheets per hour are used to layer on the base coat colors. The more intricate details are done with plate printing, using a process known as intaglio, where ink is applied to the engravings and transferre­d with immense pressure to paper. In the case of $1 and $2 bills, offset printing is not used, and plate printing is the first step.

Quality control checks happen throughout the process. Inspectors make sure that the ink is properly transferri­ng to the paper without any unwanted smears or smudges.

Before the bill-front printing can begin, the plates must be inspected yet again for imperfecti­ons, cleaned and polished. No detail is too small: Even a missing feather on the American bald eagle must be corrected.

The Treasury secretary’s signature, on the bottom-right corner of each bill, must also be inspected.

Finally, sheets of currency start to roll off the presses.

STEP 4: QUALITY CONTROL

Bills are inspected again, using magnifying glasses and high-tech computer systems.

Press operators pull sheets of currency frequently to inspect the paper for defects and to make certain that the colors and designs are aligned.

The Treasury secretary’s signature must be checked again to ensure it is smudgefree and perfectly legible.

Uncut sheets are inspected with an advanced computer system that uses cameras and software to ensure quality control of large quantities of notes. Problemati­c sheets are transferre­d to another inspection system that allows for good notes to be preserved and the rest to be destroyed.

STEP 5: CUTTING

Finishing touches, like serial numbers, are applied, and the sheets are cut to the correct size. The machines allow the currency to be printed, inspected, cut and packaged more quickly.

The last layer of printing is the letterpres­s process. Two green serial numbers and four Federal Reserve Bank designatio­n numbers are added.

Finally, the seals of the Fed and the Treasury Department are applied to the notes.

STEP 6: PACKING

Printed bills are wrapped in stacks, and sent to the Federal Reserve.

They are divided into “straps” of 100 notes held together with a white paper band that is color coded and says the denominati­on. Those are then piled into bundles and combined to form a “brick,” which is then shrink-wrapped.

The bricks are loaded in groups of four to make a “cash pack” containing 16,000 notes ready to enter circulatio­n. From there, they are distribute­d into the banking system.

The new currency was expected to hit the streets early this year, but the exact timing is up to the central bank.

 ?? (The New York Times/Adam Perez) ?? Treasury Secretary Janet Yellen signs commemorat­ive notes at the Bureau of Engraving and Printing’s facility in Fort Worth in December. A worker uses a tool called a pantograph (bottom left) to scale the engravings so that they can fit on working plates and in smaller sizes to be printed on bank notes. Sheets of currency (bottom right) roll off the press, signed for the first time by a woman.
(The New York Times/Adam Perez) Treasury Secretary Janet Yellen signs commemorat­ive notes at the Bureau of Engraving and Printing’s facility in Fort Worth in December. A worker uses a tool called a pantograph (bottom left) to scale the engravings so that they can fit on working plates and in smaller sizes to be printed on bank notes. Sheets of currency (bottom right) roll off the press, signed for the first time by a woman.
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 ?? (The New York Times/Adam Perez) ?? Currency is divided in “straps” of 100 bank notes before being piled into bundles and shrink-wrapped at the Bureau of Engraving and Printing’s Fort Worth plant.
(The New York Times/Adam Perez) Currency is divided in “straps” of 100 bank notes before being piled into bundles and shrink-wrapped at the Bureau of Engraving and Printing’s Fort Worth plant.
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