Atomic Ranch

Lost in Space

- By Leslie J. Thompson Photograph­y by Guadalupe Garza/ Twin Shoot Photograph­y

A rare find, this Dallas home’s unique past plays into its present, with space rockets and more nodding to its Sputnik era provenance.

First owned by a design engineer who worked with NASA, this 1958 Dallas home pays homage to the Sputnik era.

“We like to mix original furniture with some of the newer stuff, because you can get great quality now, and all these MIDCENTURY LINES have come out.”

In the late 1950s, working men across America would come home in the early evening and kick back with a cocktail before dinner. Sitting in high-back chairs and sipping on bourbon, they listened to recordings by Frank Sinatra, Etta James and Ella Fitzgerald as the cares of the day melted away.

Homeowners David Haggard II and his partner Tommy Sawyers carry on this tradition, relaxing most evenings in the hi-fi lounge of their 1958 Dallas, Texas home surrounded by the creature comforts of a bygone era.

“We’ve always been crazy about Midcentury Modern and collected midcentury furniture,” says David, who 10 years ago moved with his partner from Kentucky to the Lone Star state to further

their careers in healthcare. After building a custom home on the lake in Fort Worth, the couple received a purchase offer they couldn’t refuse just 10 weeks after moving in, and soon began their quest for a house that fit their retro style.

David kept returning to Sparkman Club Estates, a cozy neighborho­od in northwest Dallas with dozens of picturesqu­e, ranch homes built in the late 1950s. Although well maintained, few have the classic midcentury style of David’s residence, which was designed by Arch Swank, Jr., an innovative figure of Texas architectu­re.

“The house was featured in the 1958 Parade of Homes,” David says proudly, adding that the publicatio­n highlighte­d its design conducive to “indoor/outdoor living for the modern family.”

Haggard’s collection of model rockets is on a 1:72 scale. A reproducti­on of the Saturn V Moon Rocket stands next to the midcentury bar in the Hi-fi Lounge.

A RARE FIND

The property was one of only a handful of residences designed by Swank, who is better known for his commercial projects, including the Preston Center branch of Neiman Marcus (1952), the semiconduc­tor complex for Texas Instrument­s in Richardson, Texas (1958), and the Great Southwest Corporatio­n’s industrial park in the neighborin­g city of Arlington (1958). Drawings for the Sparkman Club house are on file amid Swank’s works at the University of Texas–austin Library, and David has a copy of the original blueprint.

To learn more about the home’s history, David tracked down the original residents, two of whom still live in the area. Marianne Edwards Montoya was only 18 months old when she and her family moved into the property. Her father designed cockpits and

frequently traveled back and forth between Dallas and Houston for projects with NASA. He remarried after his first wife passed away, and in 1967, he built an addition as a piano studio for his new bride, which today is the master bedroom.

A COMPLETE OVERHAUL

The remainder of the house retains its original footprint, with skylights and floor-to-ceiling windows flooding the space with natural light. However, the interior has been twice remodeled, with the most recent owner taking it down to the studs to create a more open floor plan between the kitchen, dining and living spaces. “It’s like having a brand-new house with everything we like,” David says.

The things he likes includes a collection of Sputnik-era memorabili­a, from framed prints of LIFE magazine featuring the first astronauts and their wives to model rockets that sit atop a tall midcentury bar. The rest of the home is meticulous­ly decorated with vintage and reproducti­on furniture and home

“The house was featured in the 1958 Parade of Homes for Dallas.”

accessorie­s, including loungers by Eames and Mulhauser, Majestic Z boomerang table lamps, rare 1950s Mirro Medallion candlestic­ks, and an original painting by Modernist artist Charlie Harper. On the back patio, a vintage Ames Aire patio set and chaise lounges provide a place for guests to relax by the pool.

“We like to mix original furniture with some of the newer stuff, because you can get great quality now, and all these midcentury lines have come out,” David says, admitting that his affinity for acquiring new finds borders on obsessive. He quips, “We keep waiting for it to not be popular, so we can actually buy the things we love.”

"It’s like having a brand-new house with everything we like.”

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