Austin American-Statesman

Exhibit explores ethical choices in art restoratio­n

- By Jeanne Claire van Ryzin jvanryzin@statesman.com

Old Master paintings prove a challenge to museums — how to conserve 400-year-old art without ruining its integrity with contempora­ry interventi­ons?

“Restoratio­n and Revelation: Conserving the Suida-Manning Collection,” an exhibit now at the Blanton, explores the ethical and aesthetic choices involved in art restoratio­n and conservati­on, in particular the Old Master paintings and drawings from the museum’s famed Suida-Manning Collection.

Using the recently restored 17th-century painting “The Death of Rachel” by Antonio Carneo as a focal point, the exhibit investigat­es how curators and conservato­rs wrestle with the challenges presented by Renaissanc­e and Baroque artworks. When the Blanton acquired the Carneo work in 1998, the canvas had severe structural issues and paint loss. Restoratio­n efforts took more than 500 hours and were documented with video and photos that are included in the current exhibit.

In conjunctio­n with the show, “Holiday Family Days: What’s Old is New Again,” allows children and their adult companions to explore the science of art conservati­on and how the materials used to make art can be tricky to preserve.

Family-oriented tours, games and hands-on activities allow all-ages visitors to see art in a new way.

 ?? BLANTON MUSEUM OF ART ?? Antonio Carneo’s “The Death of Rachel,” circa 1660-1670, is an oil on canvas from the Suida-Manning Collection at the Blanton Museum of Art. It is in the exhibit “Restoratio­n and Revelation: Conserving the Suida-Manning Collection.”
BLANTON MUSEUM OF ART Antonio Carneo’s “The Death of Rachel,” circa 1660-1670, is an oil on canvas from the Suida-Manning Collection at the Blanton Museum of Art. It is in the exhibit “Restoratio­n and Revelation: Conserving the Suida-Manning Collection.”
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