Austin American-Statesman

A different side of the Nazi legacy

Coming-of-age story examines children of war criminals.

- By Leba Hertz San Francisco Chronicle

A German family is packing hurriedly to get away from the authoritie­s.

The children are bewildered.

The parents are panicked, destroying any papers that might be taken the wrong way.

Sounds like another movie about Jews escaping from the Nazis. Only in the case of “Lore,” the parents are the Nazis, and the war is winding down.

This somewhat twisted coming-of-age story directed by Cate Shortland is a thoughtful, at times frustratin­g, look at the children of war criminals who not only journey to grandma’s house, but also discover what really happened before and during World War II.

Full of surprises, the movie draws a thin line between pity and revulsion — how would you feel if you had discovered your whole life had been based on lies?

Lore (Saskia Rosendahl) takes on the responsibi­lity for her four siblings, including an infant, with the aid of a mysterious young Jewish man (Kai Malina) who becomes their protector as well.

These children, now faced with starvation, illness, deception and danger, were used to idyllic circumstan­ces, trusting their parents’ blind devotion to the fuehrer.

Their beliefs are such that they think the American liberators will torture children.

When a voice from a loudspeake­r shouts that shooting in the back is punishable by death, one realizes what morals were being taught to the youths of Germany.

Rosendahl brings a wonderful innocence and burgeoning sexual awakening to the role, while still evincing inner strength and complexity.

In her unconsciou­s attempts to regain her soul, Lore pays the ultimate price as she discovers the stink of what she and her family and her country had become.

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