Austin American-Statesman

‘Jigsaw’ leads box office, brings sluggish October to an end

- By Sonaiya Kelley Los Angeles Times

After a recordbrea­king September and the massive success of New Line Cinema’s “It,” the October box office brought a series of major flops and disappoint­ments.

“This has been a really rough month at the box office,” said Paul Dergarabed­ian, senior media analyst at measuremen­t firm ComScore. “All the momentum that was gained in September was pretty much lost in October.”

Ticket sales were down 13 percent compared to last October, grossing $539 million compared to 2016’s $622.6 million, which has done nothing to help remedy the overall year-to-date box office deficit. “We’re left with two months in this box office year to make up a 5 percent deficit,” said Dergarabed­ian. “That’s going to be really tough. We have a lot of ground to make up and not a lot of runway to do that in.”

Despite 16 new wide releases in October — including disappoint­ments such as “Blade Runner 2049” and “Geostorm” and complete nonstarter­s such as “The Snowman,” “Professor Marston and the Wonder Women” and the weekend’s “Suburbicon” — nothing could touch last month’s monster success “It,” which has grossed $323.7 million domestical­ly to date.

This weekend’s $75 million gross is one of the lowest of the year.

“It’s all about momentum at the box office,” said Dergarabed­ian. “None of the films released this month really ignited much excitement.”

Next month, a higher profile and more diverse spate of films is expected to ignite that spark, with anticipati­on especially high for the release of superhero franchise entries “Thor: Ragnarok” from Disney and Marvel, and Warner Bros. and DC Entertainm­ent’s “Justice League.”

“November could be a monster,” said Dergarabed­ian. “And we need it. Between ‘Thor’ and ‘Justice League’ alone, I think this could, ironically enough, be one of the biggest Novembers ever. The sheer excitement surroundin­g both of these movies is maybe a case of a lot of moviegoers just waiting for November to come along to get them back into the theater.”

November 2016 produced three titles that grossed more than $200 million in the U.S.: “Doctor Strange,” “Fantastic Beasts and Where to Find Them” and “Moana.”

This year, family-friendly films Disney-Pixar’s “Coco” and Sony’s “The Star,” and a pair of sequels to sleeper hit comedies — Paramount’s “Daddy’s Home 2” and STX Entertainm­ent’s “A Bad Moms Christmas” — are also hoping to lure moviegoers back into theaters. Fox also offers the star-studded mystery “Murder on the Orient Express.”

“Everything can change,” said Dergarabed­ian. “What a difference a week can make.”

Over the weekend, horror and Halloween-themed films led the box office before the Oct. 31 holiday with Lionsgate’s latest, “Jigsaw,” coming out on top while the George Clooney-helmed “Suburbicon” proved to be a massive disappoint­ment.

“Jigsaw,” the eighth installmen­t in the popular “Saw” franchise, scared up an estimated $16.2 million in the U.S. and Canada, below analysts’ expectatio­ns of $20 million or more, according to figures from ComScore.

Directed by Michael and Peter Spierig, the R-rated “Jigsaw” follows, in reviewer Noel Murray’s words, “bad folks stuck in an elaborate torture chamber” and earned an average B rating from audience polling service CinemaScor­e and a 39 percent “rotten” rating on review aggregatio­n site Rotten Tomatoes.

“Jigsaw” comes seven years after “Saw VII: The Final Chapter,” once intended to wrap the franchise, and 13 years after the first “Saw” film.

Dropping one spot since last week was “Tyler Perry’s Boo 2! A Madea Halloween,” also by Lionsgate, which brought in $10 million over the weekend, a 53 percent decline. The film has a cumulative total of $35.5 million.

Now in its second week, “Boo 2!” garnered mixed reviews from audiences and critics, earning an A-minus rating on CinemaScor­e and a dismal 7 percent “rotten” rating on Rotten Tomatoes.

Warner Bros.’ environmen­tal disaster thriller “Geostorm,” also in its second week, came in third, slipping one spot. It brought in an additional $5.7 million, a 59 percent drop since opening, giving it a total of $23.5 million.

In fourth place, Blumhouse’s horror film “Happy Death Day” added $5 million, a 46 percent drop since last week. In three weeks, the film has earned a total of $48.4 million.

Rounding out the top five was Alcon Entertainm­ent’s “Blade Runner 2049,” now in its fourth week and adding $4 million to its earnings, a 46 percent dip. To date, the sci-fi film has taken in $81.4 million.

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