Baltimore Sun Sunday

The past of Europe, undergroun­d

- Rick Steves Rick Steves (www.ricksteves.com) writes European travel guidebooks and hosts travel shows on public television and public radio. Email him at rick@ricksteves.com, and follow his blog on Facebook.

Europe is rich in history, but the splendid castles, antique churches and ageold ruins tell only part of the story. To dig even deeper in time — much deeper — visit a cave. Some of my favorites, in France and Slovenia, showcase 17-foot-long bulls drawn by our ancient forebears and 100-foot-high stalagmite­s sculpted by nature.

The world’s most famous cave paintings are at Lascaux in southwest France. From 18,000 to 10,000 B.C., long before Stonehenge, before the pyramids, before metalworki­ng, and before farming, back when mammoths and saber-toothed cats still roamed the earth, prehistori­c people painted deep inside these limestone caverns. These are not crude doodles with a charcoal-tipped stick. They’re sophistica­ted, costly and time-consuming engineerin­g projects.

Discovered in 1940, the caves were closed to visitors in 1963 due to the deteriorat­ion of the artwork. But a “copy cave,” the impressive Lascaux II, allows visitors to see the reindeer, horses and bulls of Lascaux, painstakin­gly reproduced by top artists using the same dyes, tools and techniques their predecesso­rs did 15,000 years ago. Guides call the Lascaux Caves the “Sistine Chapel of the prehistori­c world.” I thought, “Promotiona­l hyperbole.” But then I climbed into Lascaux II and almost immediatel­y forgot it’s a copy. I was swept away by its grandeur. The paintings are astonishin­g, and the experience is mystifying.

Nearby, the Grotte de Font-de-Gaume is the best place to see actual original prehistori­c art. Even if you’re not a connoisseu­r of Cro-Magnon culture, you’ll dig this cave, the last one in France with prehistori­c, multicolor­ed (polychrome) paintings still open to the public.

Font-de-Gaume contains 15,000-year-old paintings of 230 animals, including many red-and-black bison painted with a moving sensitivit­y, often in elegant motion. When two animals face each other, one is black and the other is red. Your guide, with a laser pointer and great reverence, will trace the faded outline of the bison and explain how, 15 millennium­s ago, cave dwellers used local minerals and the rock’s natural contours to give the paintings dimension.

But getting in is tricky. Only 26 tickets per day can be reserved in advance by email or phone; otherwise, 52 tickets are doled out in person each morning. Try

to reserve in early January for a summer visit (for details, see www.eyzies.monuments-nationaux.fr).

In Slovenia, the ancient history found below ground relates to geology, not human culture. About an hour south of Ljubljana, the country’s Karst region is honeycombe­d with a vast network of caves and undergroun­d rivers. Spelunkers agree that this region has some of the most remarkable caves on the planet, including my favorite, the Skocjan Caves.

At Skocjan, visitors begin by seeing a multitude of formations in a series of large caverns. Guides tell the story as, drip by drip, stalactite­s grow from spaghetti-thin strands to mighty sequoia-like stone pillars. The experience builds and builds as you go into ever-more impressive grottoes, and you think you’ve seen the best.

But then you get to the truly colossal final cavern, the Murmuring Water Cave, with a mighty river crashing through the mist. It’s a world where a thousand evil “Wizard of Oz” monkeys could comfortabl­y fly in formation. Crossing a breathtaki­ng footbridge 150 feet above the torrent gives you faith in Slovenian engineerin­g. Finally, the cave widens, sunlight pours in and you emerge like lost creatures seeking daylight into a lush canyon.

The nearby Postojna Caves are Slovenia’s single most popular tourist attraction. Postojna lacks Skocjan’s spectacula­r, massivecav­ern finale, but the formations at Postojna are slightly more abundant, varied and colorful, with stalagmite­s and stalactite­s as tall as 100 feet.

A visit here is an easy, lightly guided stroll through an amazing undergroun­d cavern (in contrast to the fairly strenuous hike required on a visit to Skocjan). A little open-air train slings you deep into the mountain, whizzing past wonderful formations. Then you walk along a well-lit, paved path up the Big Mountain, where you’re surrounded by a sea of fairy chimneys. A bridge over a canyon takes you into Spaghetti Hall, named for the long, skinny stalactite­s that seem to be dripping from the ceiling. After passing some huge, white, melting ice cream formations, you’ll wind up in the impressive­ly vast cavern called the Concert Hall. Here, an aquarium houses the strange, pale-pink, salamander­like “human fish,” a cave-dwelling creature that is celebrated as a sort of national mascot in Slovenia.

After exploring some of the world’s best caves, mull over what you’ve seen — and return to more modern history — with a glass of local wine from the famous wine regions not far from these caves: Primorska in Slovenia and Bordeaux in France. Raise a glass to red-and-black bison, colossal caverns and human fish that hide beneath Europe’s modern surface.

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 ?? CAMERON HEWITT/RICK STEVES’ EUROPE ?? Slovenia’s remarkable Skocjan Caves feature a footbridge 150 feet above a raging river.
CAMERON HEWITT/RICK STEVES’ EUROPE Slovenia’s remarkable Skocjan Caves feature a footbridge 150 feet above a raging river.
 ?? RICK STEVES/RICK STEVES’ EUROPE ?? Ancient animal paintings earn France’s Lascaux Caves the title of the “Sistine Chapel of the prehistori­c world.”
RICK STEVES/RICK STEVES’ EUROPE Ancient animal paintings earn France’s Lascaux Caves the title of the “Sistine Chapel of the prehistori­c world.”
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