Baltimore Sun Sunday

Rising to our expectatio­ns, wonderfull­y

A theater production gives kids a chance to grow and surprise

- By Matt Lindner

One of the most exciting days of my life was when I discovered I could get “This American Life” — the public radio show that explores the nuances of humanity through interviews and storytelli­ng — as a podcast on my smartphone. Since that glorious day, nearly every episode logged has taught, reminded or surprised me about something about life, relationsh­ips, the world, or myself.

One, called “Batman” (but not for the reasons you think), is particular­ly poignant.

Compelling­ly told through the story of a boy named Daniel Kish who goes blind as a toddler, the podcast is about how expectatio­ns can influence others’ behavior.

The boy’s mother doesn’t treat him as if his blindness is a barrier. Wiser and braver than I’ve ever been, she allows him to play outside, climb trees and ride a bicycle. Without fear or boundaries, the boy grows into a man who moves so freely through the world, he says — and not metaphoric­ally — that he can and does actually “see.”

It’s simple, Kish says. “If our culture recognized the capacity of blind people to see, then more blind people would learn to see.”

Actually, it’s all very profound, and I encourage you to call up the segment online if you’ve never heard it. Each time I listen (I’m on time No. 4 since it first aired in 2015), I tear up a little, marveling at the little blind boy who defies expectatio­ns, and at the human capacity to foster — or smother — greatness.

As marijuana laws change and recreation­al use becomes more socially acceptable, matchmaker­s are having more open conversati­ons with clients about the drug. But is marijuana use a turn-on? Probably not.

According to Match.com’s Singles in America survey, which surveyed more than 5,500 U.S. singles in 2015, 70 percent of all singles said it’s a turnoff if a potential romantic partner regularly smokes marijuana. However, 38 percent of men and 24 percent of women said they’re open to dating someone who regularly lights up.

Data from OkCupid paints a slightly different picture. OkCupid spokeswoma­n Jane Reynolds wrote in an email that 2016 data showed that at least 50 percent of OkCupid users in every state except West Virginia (which clocked in at 47 percent) answered in the affirmativ­e when asked, “Could you date someone who does drugs?”

Stef Safran, a Chicagobas­ed matchmaker, says she has seen attitudes about marijuana change dramatical­ly as states have legalized the drug for recreation­al or medicinal purposes. In November alone, voters in three states — California, Massachuse­tts and Nevada — passed measures to allow recreation­al use; three other states — Arkansas, Florida and North Dakota — voted to legalize the drug for medicinal purposes.

Safran says career often influences if someone tolerates a potential mate’s marijuana use. Those who aren’t in a profession with strong views about drug use — such as law or medicine — may be more open to it.

“Like drinking,” Safran says, “people do seem to state that if someone does use marijuana recreation­ally, they are OK with it if it is not a daily or every weekend habit.”

A number of cannabisfr­iendly dating sites and apps have gone online in recent years, including My420Mate and High There!

My420mate launched in 2014 — on April 20, naturally — and now has nearly half a million members in 50 states and more than 88

But it wasn’t until several weeks ago that I realized how the Batman’s story applied to the way I viewed my own children.

This month, my children were in a profession­al performanc­e at Center Stage. A Black History Month extravagan­za of music, recitation­s, dance and acting, the show was written, produced and directed by Hana S. Sharif, associate artistic director at Baltimore Center Stage. She imagined the production over a year ago, when my boys were chubby-cheeked kindergart­ners and my daughter was only newly pottytrain­ed. Hana asked me then — along with the other mothers in the Baltimore chapter of my Jack and Jill group — to detail what talents my children possessed, so she could slot them accurately in the show.

This was my emailed response: I was being only somewhat flip. In my head, my babies were adorable and bright the way all mothers think their children are adorable and bright. But talented? Able to be in a real Center Stage production, with lights, lines, choreograp­hy, skill? No way. But Hana saw them differentl­y. Your children are stars, she told me. They can do what I’m asking. Watch. See. Dutifully, I went along. Inside, I scoffed. For six Sundays, my children went to rehearsals. At home, we worked on memorizing lines and dance steps, in between practicing the boys’ weekly spelling words for school and rushing through dinner, baths, stories (when we could get to them) and constant sibling bickering. They groaned through my repeated commands to “do it once more.” They whined that they couldn’t do it. It’s too they cried (literally).

But Hana believed in them. And her assurednes­s was contagious.

Last week, my little ones joined nearly 100 other Jack and Jill youth in “The Ground on Which We Stand: An Exploratio­n of Black Excellence.” My boys channeled the Nicholas Brothers and danced a jubilant duet, resplenden­t in tiny tuxedos, and told the audience in bold voices all about John Henry, “one of our greatest heroes.” My daughter projected her cartoon-like voice and, with confidence, announced on stage, “I AM HERE!”

And she was. I watched, like Hana said. I saw.

The pride and exultation on their faces at the close of the sold-out show filled me in a way few other things have. They were mostly indifferen­t in the beginning, rehearsing because they were told to. By the end, they were practicing on their own, correcting their own inflection­s, perfecting their arm movements. Crisper. Smoother. Let’s do it once more.

Through this process, they learned not only that they could work hard, but that they could enjoy working hard. After the final rehearsal, a mother asked me, “Are your boys dancers?” That’s how good they got.

In the “Batman” story, the narrator says, “Expectatio­ns, those private thoughts in our heads, are extremely powerful things, because over time, they have the ability to change the … person we are thinking about.” I know now that this is true. My husband and I cried, seeing our babies shine like stars. Hana’s belief in our children stretched us. And raising our expectatio­ns stretched the three of them.

 ?? TORI SOUDAN ?? Children perform in “The Ground on Which We Stand: An Exploratio­n of Black Excellence” at Center Stage in Baltimore. The Black History Month extravagan­za of music, recitation­s, dance and acting was written, produced and directed by Hana S. Sharif.
TORI SOUDAN Children perform in “The Ground on Which We Stand: An Exploratio­n of Black Excellence” at Center Stage in Baltimore. The Black History Month extravagan­za of music, recitation­s, dance and acting was written, produced and directed by Hana S. Sharif.
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