Baltimore Sun Sunday

These martial artists keep their en garde up

Longpoint participan­ts master craft of swordplay, other older fight techniques

- By Michael Brice-Saddler

If you’ve noticed people the past few days walking about the Hilton Baltimore wielding swords and other older weapons, don’t be alarmed.

The hotel serves as home base for Longpoint 2017 — a four-day competitio­n and workshop involving what is known as historical European martial arts. Participan­ts have one goal: to revitalize older fighting techniques that fell out of practice with the rise of gunpowder.

Those who practice this form of martial arts adhere strictly to the source material, which includes manuscript­s, poems and texts from 15th-, 16th- and 17th-century Europe, Longpoint President Jacob Norwood said.

“The ancient masters said, ‘Fight like this,’ so we want to fight like this,” Norwood said.

“If we think [their technique] is not as effective as something we invent on our own, we’re probably doing it wrong.”

Longpoint began in 2011 with about 60 participan­ts, and has since become the largest event of its kind in the Western Hemisphere, Norwood said.

Nearly 450 enthusiast­s hailing from as many as 14 countries attended this year’s convention, which began Thursday.

Registrant­s were able to sign up for a variety of tournament­s, the most popular of which involves dueling using the German longsword.

Attendees also competed in other discipline­s such as — a medieval form of wrestling — and cutting, where competitor­s display their accuracy in striking fixed targets with longswords.

The event also includes classes and lectures.

“You’re seeing techniques that have not been done except from fight books,” said 54-year-old Brian Ames, who became interested in medieval combat after attending a Renaissanc­e Fair in Maryland.

“There’s just a hodgepodge of great, wonderful stuff out there to learn.”

Norwood said the effort to revive older fighting techniques began in the late 1990s, but became more popular in the 2000s, when enthusiast­s became able to share manuscript­s online.

Unlike other types of martial arts, however, many of the old techniques are still being studied and developed, Norwood said.

“No one out there is a master of anything; we’re all students at varying degrees of skill sets,” Ames said.

Longpoint attendees avoid wearing flamboyant period costumes, Norwood said, and are dedicated to performing their craft in a way that stays true to the original technique.

“We don’t want to be confused with entertaine­rs,” Norwood said. “We’re fencers and martial artists.”

Winners of competitio­ns earn prizes such as weapons, gear bags and medals, said Tim Kaufman, a Longpoint staff member who also ranked fifth in this year’s longsword competitio­n.

The tournament’s grand prize is an Albion Baron — a $1,300 longsword, authentic down to specific dimensions and weight, Kaufman said.

Greg Garland, a novice from Pittsburgh, competed in the rookie training tournament Thursday, and also tried a weapons-free class that emphasized movement and balance.

Although he took some fencing lessons growing up, Garland said he was drawn to this form of combat because it was exciting to look at old manuscript­s and try to follow their techniques.

For Garland and others at Longpoint, staying true to the historical texts is more important than trying to become the best longsword fighter.

“Each individual participan­t can go to the sources and do some homework on their own,” Garland said.

“Instead of someone telling you the end of the novel, you’re reading the novel yourself.”

Norwood said the reason behind the emerging popularity of older European martial arts is that they tap into a visceral desire to play with swords.

The popularity of the television show “Game of Thrones” and movies that involve sword-fighting skills such as “Star Wars” and “Pirates of the Caribbean” are a testament to that, he added.

“This allows us to approach a childhood passion in an adult way,” Norwood said.

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