Baltimore Sun Sunday

Time for museum to embrace TikTok

The Uffizi is an unlikely class clown

- By Alex Marshall

Last month, the Uffizi Gallery in Florence — long a bastion of tradition — posted a video to its TikTok account featuring Botticelli’s “Spring.” The painting depicts Venus and other mythologic­al figures, and has been gawked at by tourists and studied by academics for centuries.

On TikTok, users were treated to a new perspectiv­e on this masterpiec­e of the Italian Renaissanc­e: Set to Todrick Hall’s expletive-filled club track “Nails, Hair, Hips, Heels,” each time a body part is mentioned — “thin waist, thick thighs” — the video jumps to a correspond­ing part of the painting. “Purse full, big bills,” Hall sings, and the TikTok zooms in on the flowers held by Flora, the goddess of spring.

As the song ramps up, the video is edited so the 15th-century figures dance along in time.

The irreverent clip is one of several on the Uffizi’s TikTok account poking fun at its collection of masterpiec­es, as the museum tries to transform its image from a dusty home of Renaissanc­e art to a place Italy’s teenagers want to explore.

“Maybe it looks a little stupid,” Ilde Forgione, 35, who runs the account, said, “but sometimes you have to give people a different point of view, something that says, ‘Art is not boring. Art is not something you just learn at school. It’s something you can discover for yourself.’ ”

There are now 11 museums on TikTok, according to the booming social media platform, where (mostly young) people make and share short videos. Amsterdam’s Rijksmuseu­m joined in April, and the Prado Museum in Madrid joined in June. (The Metropolit­an Museum of Art in New York used the platform last year for a couple of projects, but its account is now dormant.) The Uffizi is an especially unlikely member of this select group, given that until a couple of years ago, it acted as if the internet didn’t exist.

The museum got a website only in 2015 (ticket scalpers used to take advantage of its absence by running their own “official” websites) and it didn’t set up a Facebook page until March, when the museum closed because of the coronaviru­s, as part of an effort to reach people stuck at home during Italy’s lockdown.

“We were pretty much in the Stone Age,” Eike Schmidt, the museum’s director, said in a telephone interview. The Uffizi, he said, had gone from being a laggard to at the “avant-garde” of museum social media in a few months.

He decided to give TikTok a try, he said, because the platform reaches younger users than Twitter, Facebook or even Instagram. He asked Forgione, an administra­tive assistant, to lead a team producing material for the account after learning that she loved funny social media posts, he said.

Forgione’s videos have certainly been funny, and, at times, surreal. In one post, a cartoon coronaviru­s dances through the Uffizi and stops at Caravaggio’s painting of “Medusa,” the mythical being that turned those who dared gaze at her into stone. The virus turns into a rock and drops to the floor, smashing in half. Then the painting is wearing a face mask. All of this happens to a soundtrack of Cardi B shouting “coronaviru­s.”

TikTok is trying to increase the presence of museums and educationa­l figures. In April, it announced a $50 million fund to give grants to such groups to make content, and in May it announced partnershi­ps with Bill Nye and Neil deGrasse Tyson to develop educationa­l posts.

Forgione said the hardest thing about running the account was getting the right tone for TikTok’s young audience. “I’m 35,” she said, “and the others in the team are older.” She has run ideas past two cousins, who are 20 and 22, she said (they have also helped at times with Photoshop). Colleagues have also consulted their teenagers about clips, she added.

The Uffizi’s approach to TikTok — filled with manic humor and often featuring songs that are trending in Italy — is not typical of museums on the platform. Since January, the Carnegie Museum of Natural History in Pittsburgh has been posting a stream of gentle, educationa­l videos to its account, often featuring employees stuck at home in lockdown. Recent posts have included a museum educator showing a bunny nest in her yard and a scientist explaining what biodiversi­ty means with the help of her pet cat.

 ?? TIZIANA FABI/AFP VIA GETTY IMAGES ?? A journalist views Sandro Botticelli's "Madonna del Magnificat" at the Uffizi Gallery Museum in Florence on June 2.
TIZIANA FABI/AFP VIA GETTY IMAGES A journalist views Sandro Botticelli's "Madonna del Magnificat" at the Uffizi Gallery Museum in Florence on June 2.

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