Baltimore Sun

Slavery: Let it go

Inability to see beyond slavery is ‘greatest threat to healthy black culture’

- By W. F. Twyman Jr. W. F. Twyman, Jr. is a former law professor. He can be reached at winkfieldt­wyman@yahoo.com.

Some time ago, a relative forged another family member’s will, causing a cousin, the rightful heir, to lose all. I did all that I could to right the wrong. Eventually, the crime was exposed and my cousin was able to come into his rightful inheritanc­e. Even so, I never talked to perpetrato­r again. Years later, I felt the offense as if it occurred yesterday.

One morning while having breakfast with my daughter, I asked my daughter for her opinion: How might I let go of this old grudge? With teen-age insight, she said, “Don't dwell on it. Move on. That'll do it.” I took note and forgave my relative in that moment. The resentment dissipated.

Around that time, I wanted to hang a portrait of General George Washington kneeling in prayer at Valley Forge. I am a second cousin of the first president, seven times removed, and I am African-American. The image inspired me.

My daughter, however, erupted in outrage. All she could see was a slaveholde­r.

"He won the American Revolution," I said. "I don't care," my daughter replied. "He was the greatest president ever," I rejoined.

"I'm only related to Washington because he raped someone," she said.

I flatly said there was no evidence whatsoever Washington had laid a violent hand on any of our slave ancestors.

Nuance and complexity eluded my daughter. President Washington might grace our currency, adorn the National Mall, and hang on the walls of the White House, but, no, not the wall of our home. In this matter, slaveholdi­ng alone mattered to my intelligen­t daughter.

The greatest threat to a healthy black culture and consciousn­ess today is an inability to see beyond slaveholdi­ng.

When we carry resentment­s in our hearts over generation­s, these resentment­s hurt us. Dwelling on slaveholdi­ng creates a desire to get back at others, to lash out. One feels entitled to destroy institutio­ns due to the original sin of slavery.

If one wants to see unresolved pain acting out, look no further than reparation­s rhetoric and Ta-Nehishi Coates, author of “Between the World and Me” and scribe of racial doom and gloom. Only unresolved pain can explain an unyielding focus on white supremacy. Passing along resentment­s to children, as Mr. Coates has done in his writings, scars the young. The resulting scars compel the impression­able to despise our country, our shared bond as countrymen. The pain flows from slavery and continues into infinity.

Slavery was far worse than anyone living can imagine. And that's the problem. We know slavery as a Hollywood production — “Roots,” “12 Years a Slave,” “Django.” Even the National Museum of African American History, while important, doesn't do slavery due justice. Every American should read “American Slavery As It Is” by Theodore Weld. From cover to cover. Don't stop as you tremble. Once you close this book on slavery, you will feel bad for several days. I did. That is healthy. And when you come out the other side, you will feel peace, even thanksgivi­ng that our country fought a war to end slaveholdi­ng. Thoughts of slavery will lose power over you.

Our task today is to live free of these atrocities in our minds. We shouldn't forget the past. We should let go of old grudges from slavery. We simply move on as Americans and feel compassion for one another across the color line.

Our ancestors would want us to move on and live our lives to the fullest today. We dishonor our ancestors if we bring trials and tribulatio­ns from their times into our times. We disrespect our ancestors with limited and negative thinking, while living in the greatest country ever.

I give thanks every day that, on one snowy day in 1777, General Washington prayed at Valley Forge. And that prayer gave Washington faith to carry on.

I can see beyond slaveholdi­ng.

 ?? MCCLATCHY-TRIBUNE ?? Do people today largely understand slavery as it’s depicted in films like “12 Years a Slave”? The 2013 film garnered three Academy Awards, including a Best Supporting Actress Oscar for Lupita Nyong'o, center.
MCCLATCHY-TRIBUNE Do people today largely understand slavery as it’s depicted in films like “12 Years a Slave”? The 2013 film garnered three Academy Awards, including a Best Supporting Actress Oscar for Lupita Nyong'o, center.

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