Baltimore Sun

It takes more than good food to make a great restaurant

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Hi, I’m Christina and I’ll be your food critic today.

I have little of the usual experience that might qualify someone to become a I can’t cook, and my restaurant career is limited to one summer spent as a server at the Austin Grill in Alexandria, Va. — a role in which I did not distinguis­h myself.

I do, however, possess a voracious appetite and the sort of fearless naivete that leads a toddler off the deep end of a swimming pool. A few months ago, I backed into what is clearly the sweetest gig at any newspaper: dining reporter and critic.

Much of what I thought I knew about fine dining turns out to be outdated or wrong. It’s no longer the hallmark of a fancy restaurant that a waiter comes out and grinds the Parmesan for your dish. Many chefs now consider the term “farm to table,” a concept popularize­d by Alice Waters and her restaurant Chez Panisse, to be passé. Today, it’s just assumed that restaurant­s of a certain class will get their ingredient­s locally. Kosher is not the same thing as kosher style (expect phone calls from readers should you confuse the two).

I have eaten my way through the city’s bistros, public markets, restaurant­s in row homes and cafés in repurposed mills. I’ve sampled foie gras torchons, flounder crudo, coddies and crab cakes. I have snacked on sandwiches packed with invasive blue catfish, a species that currently dominates much of the Chesapeake Bay and its tributarie­s.

I have gained weight. Brief stints at the gym or in Weight Watchers have done little to reverse the effects of mukbang- like eating habits. I have bought larger pants.

(An aside: You don’g know binge-eating, until you’ve seen mukbang, in which people stuff themselves online for a living. The name is a combinatio­n of two Korean words, let’s eat” — and broadcast.” It’s addictive).

I have learned about lost Maryland food traditions like terrapin stew, Native American foodways refined by generation­s of anonymous women and black chefs. Food is more than just food. It is identity, environmen­t, culture and history. And restaurant­s are more than just food. Great ones combine atmosphere, story and performanc­e. They invite you in to another world. Others can make you wish you’d stayed at home.

The first time I was faced with writing a negative a restaurant review, I experience­d a dilemma. How could I, a woman who until recently could barely poach an egg, criticize someone else’s cooking? A phone call with one of the most esteemed restaurant critics in America set me straight. “Don’t pull any punches!” he told me on the phone — repeatedly. As a food critic, he reminded me, I am on the side of you, the reader, and not a cheerleade­r for

critique gastronomi­que.

restaurant­s. I should write the review as if the chef were never going to read it.

I’ve written plenty of negative reviews since then.

Still, it’s hard not to sympathize with the pressures restaurant industry workers face. The job, with long hours and high expectatio­ns, takes a physical and mental toll. Many chefs and business owners feel they are letting their employees down if they don’t work themselves to death, sometimes literally.

The death of a well-known chef on the Eastern Shore this summer made clear to me just how intense the life can be. At the memorial service, a regular guest told mejust how much she had appreciate­d the restaurant, how a meal there could cheer her up on a rough day. Her words have stuck with me.

“It’s a really big experience when someone takes that much care with something,” she said. “It’s more than just food.”

I couldn’t agree more.

bang song — “

mukja — “

 ?? COLBY WARE/FOR THE BALTIMORE SUN ?? A non-cooking eater finds satisfacti­on as a food critic.
COLBY WARE/FOR THE BALTIMORE SUN A non-cooking eater finds satisfacti­on as a food critic.

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