Baltimore Sun

If Walters respects employees, it will stop stonewalli­ng union

- — Dereck Stafford Mangus, Baltimore The writer is a security guard at the Baltimore Museum of Art and a graduate of the Critical Studies program at the Maryland Institute College of Art.

In a newsletter sent out last month by the Walters Art Museum, Executive Director Julia Marciari-Alexander comes across as more than a little disingenuo­us. She framed her missive within the context of Labor Day — a federal holiday establishe­d over a century ago by the American labor movement — presumably to soften the blow of her message. And that was to blame Walters Workers United (WWU), the current union organizing effort at the museum, for failing to take “the necessary steps within their control in order to proceed to a union vote.”

If ever there was an example of gaslightin­g in the form of an official memorandum, this is it. It’s absurd. WWU has actively sought to have an open and fair election for over a year. The problem is not with WWU. The problem lies with the Walters Art Museum leadership. I speak from experience having been closely involved with forming a union at the Baltimore Museum of Art in conjunctio­n with the American Federation of State, County and Municipal Employees (AFSCME) — the same trade union that is working with WWU. Although the BMA Union started its organizing efforts a few months after WWU, it just won its election, 89-to-29, in early July. If we can do it, so can our colleagues at the Walters.

Museum leaders at the BMA attempted the same union-busting tactic as the Walters by insisting on having the election be overseen by the National Labor Relations Board. The NLRB has historical­ly required security department­s of a given workplace to be separate from the larger union. WWU rightly wants a “wall-to-wall” union, meaning no separation of department­s. Not only does a wall-to-wall union make more sense in terms of the very spirit of unionizing — what sort of “union” is fragmented? — it also makes it harder for leadership to “divide and conquer” (so to speak.) In a wallto-wall unit, each department would have the opportunit­y to work with management to create a better working environmen­t for all. It was a slog, but the BMA Union was persistent, and eventually persuaded museum leadership to agree to an election overseen by an outside arbiter. Marciari-Alexander and the Walters Museum board of trustees can easily make the same decision. Thus far, they have chosen not to.

My career as a museum profession­al started more than two decades ago when I began guarding at Harvard Art Museums in Cambridge, Massachuse­tts, where the union was not a wall-to-wall unit. It was strangely gratifying (at times) being part of the scrappiest little union at Harvard. It felt like David versus Goliath during confrontat­ions with university lawyers, and I’ve always enjoyed rooting for the underdog. That said, it was a constant uphill battle negotiatin­g a new contract or getting management to work fairly with us on disciplina­ry issues. We would have been stronger being part of one unit. It makes no sense for cultural institutio­ns to adhere to the outdated rule created long ago by the conservati­ve NLRB that security must be separate from the larger union. The whole point of collectivi­zation is for the entire staff to work together toward a common goal. Like the many works of art in its galleries, the Walters Art Museum needs to have a wall-towall labor union. The only thing stopping this now is museum leadership standing in the way.

To move forward, all they would have to do is agree to meet with WWU members to begin an open dialogue about an election conducted by a third party. However, WWU is now suing the Walters for refusing to comply with a Public Informatio­n Act request to hand over union-related communicat­ions.

Walters leaders say the museum is a private entity and not subject to the Maryland Public Informatio­n Act. This stonewalli­ng strategy, coming on the heels of the director’s anti-union screed disguised as a public newsletter, complicate­s things for the Walters and their image. The newsletter is what millennial­s might call “cringey.” More to the point, it’s contradict­ory. You can’t have it both ways: invoking a holiday meant to celebrate the nation’s workers while, in the next breath, chastising your own. If Marciari-Alexander wanted to properly honor her staff, she would have given them the chance to vote in an election long ago.

 ?? MARY CAROLE MCCAULEY/BALTIMORE SUN ?? Walters Art Museum security guard Garrett Stralnic addresses a rally outside the Washington Monument in 2021, as employees seek to form a union.
MARY CAROLE MCCAULEY/BALTIMORE SUN Walters Art Museum security guard Garrett Stralnic addresses a rally outside the Washington Monument in 2021, as employees seek to form a union.

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