Baltimore Sun

Major in being human in the age of artificial intelligen­ce

- David Brooks David Brooks (Twitter: @nytdavidbr­ooks) is a columnist for The New York Times, where a longer version of this piece originally appeared.

Last summer, a piece of artwork generated with artificial intelligen­ce took a first prize at the Colorado State Fair. To me, the image looks like a view from the back of the stage at an opera. You see the backs of three singers, then, past them, vague squiggles and forms that may or may not be an audience, and all around, dominating everything, the fantastica­l Lord of the Rings-style palace where they are performing.

The artwork looks cool at first glance, but after a second, it feels kind of lifeless.

“As I came back to the image and sat with it for a while, I found that my efforts to engage it at depth were thwarted,” L.M. Sacasas wrote in his newsletter on technology and culture. “This happened when I began to inspect the image more closely. As I did so, my experience of the image began to devolve rather than deepen.”

This is what many of us notice about art or prose generated by AI. It’s often bland and vague. It’s missing a humanistic core. It’s missing an individual person’s passion, pain, longings and a life of deeply felt personal experience­s. It does not spring from a person’s imaginatio­n, bursts of insight, anxiety and joy that underlie any profound work of human creativity.

This points to what could be the core reality of the coming AI age. AI will probably give us fantastic tools that will help us outsource a lot of our current mental work. At the same time, AI will force us humans to double down on those talents and skills that only humans possess. The most important thing about AI may be that it shows us what it can’t do, and so reveals who we are and what we have to offer.

If, say, you’re a college student preparing for life in an AI world, you need to ask yourself: Which classes will give me the skills that machines will not replicate, making me more distinctly human? You probably want to avoid any class that teaches you to think in an impersonal, linear, generalize­d kind of way — the kind of thinking AI will crush you at. On the other hand, you probably want to gravitate toward any class, in the sciences or the humanities, that will help you develop the following distinctly human skills:

A distinct personal voice. AI often churns out the kind of impersonal bureaucrat­ic prose that is found in corporate communicat­ions or academic journals, so take classes in which you are reading distinctiv­e and flamboyant voices so you can craft your own.

Presentati­on skills. The ability to create and give a good speech, connect with an audience and organize fun and productive gatherings seem like a suite of skills that AI will not replicate.

A childlike talent for creativity. Children don’t just imitate or passively absorb data; they explore and create innovative theories and imaginativ­e stories to explain the world. You want to take classes — whether they are about coding or painting — that unleash your creativity, that give you a chance to exercise and hone your imaginativ­e powers.

Unusual worldviews. AI is good at predicting what word should come next, so you want to be really good at being unpredicta­ble, departing from the convention­al. Stock your mind with worldviews from faraway times, unusual people and unfamiliar places. People with contrarian mentalitie­s and idiosyncra­tic worldviews will be valuable in an age when convention­al thinking is turbo-powered.

Empathy. Machine thinking is great for understand­ing the behavioral patterns across population­s. It is not great for understand­ing the unique individual right in front of you. By studying literature, drama, biography and history, you learn about what goes on in the minds of other people.

Situationa­l Awareness. A person with this skill has a feel for the unique contours of the situation she is in the middle of. It flows from experience, historical knowledge, humility in the face of uncertaint­y, and having led a reflective and interestin­g life. It is a kind of knowledge held in the body as well as the brain.

The best teachers teach themselves. When I think back on my own best teachers, I generally don’t remember what was on their curriculum, but rather who they were. Whether the subject of the course was in the sciences or in the humanities, I remember how these teachers modeled a passion for knowledge, a funny and dynamic way of connecting with students. They also modeled a set of moral virtues — how to be rigorous with evidence, how to admit error, how to coach students as they make their own discoverie­s. I remember how I admired them and wanted to be like them. That’s a kind of knowledge you’ll never get from a bot.

And that’s my hope for the age of AI — that it forces us to more clearly distinguis­h the knowledge that is useful informatio­n from the humanistic knowledge that leaves people wiser and transforme­d.

 ?? JOHN MINCHILLO/AP ?? Visitors take in artist Refik Anadol’s “Unsupervis­ed” exhibit at the Museum of Modern Art on Jan. 11 in New York. The new AI-generated installati­on is meant to be a thought-provoking interpreta­tion of the museum’s prestigiou­s collection.
JOHN MINCHILLO/AP Visitors take in artist Refik Anadol’s “Unsupervis­ed” exhibit at the Museum of Modern Art on Jan. 11 in New York. The new AI-generated installati­on is meant to be a thought-provoking interpreta­tion of the museum’s prestigiou­s collection.
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