Baltimore Sun

Globes bringing people back down to earth

Modern 3D maps get folks nearer to planet in digital age

- By Laurie Kellman

Find a globe in your local library or classroom and try this: Close the eyes, spin it and drop a finger randomly on its curved, glossy surface.

You’re likely to pinpoint a spot in the water, which covers 71% of the planet. Maybe you’ll alight on a place you’ve never heard of — or a spot that no longer exists after a war or because of climate change. Perhaps you’ll feel inspired to find out who lives there and what it’s like. Look carefully, and you’ll find the cartouche — the globe maker’s signature.

In the age of Google Earth, watches that triangulat­e and cars with built-in GPS, there’s something about a globe — a spherical representa­tion of the world in miniature — that somehow endures.

London globemaker Peter Bellerby thinks the human yearning to “find our place in the cosmos” has helped globes survive their original purpose — navigation — and the internet. He says it’s part of the reason he went into debt making a globe for his father’s 80th birthday in 2008. The experience helped inspire his company, and 16 years later is keeping his team of about two dozen artists, cartograph­ers and woodworker­s employed.

“You don’t go onto Google Earth to get inspired,” Bellerby said. “A globe is very much something that connects you to the planet that we live on.”

Building globes amid breakneck change

Beyond the existentia­l and historical appeal, earthly matters such as cost and geopolitic­s hover over

globe making. Bellerby said his company has experience with customs officials in regions with disputed borders such as India, China, North Africa and the Middle East.

And there is a real question about whether globes — especially handmade orbs — remain relevant as more than works of art and history for those who can afford them. They are, after all, snapshots of the past — of the way their patrons and makers saw the world at a certain point in time. So they’re inherently inaccurate representa­tions of a planet in constant flux.

“Do globes play a relevant role in our time? If so, then in my opinion, this is due to their appearance as a three-dimensiona­l body, the hard-to-control desire to turn them, and the attractive­ness of their map image,” said Jan Mokre, vice president of the Internatio­nal Coronelli Society for the Study of Globes in Vienna. “Perhaps a certain nostalgia effect also plays a role, just as old cars and mechanical watches still exert a certain attraction on

people.”

Joshua Nall, director of the Whipple Museum of the History of Science in Cambridge, said a globe remains a display of “the learning, the erudition, the political interests of its owner.”

“Sadly, I think globe usage probably is declining, perhaps particular­ly in the school setting, where digital technologi­es are taking over,” he said. “I think now they’re perhaps more becoming items of overt prestige. They’re being bought as display pieces to look beautiful, which of course they always have been.”

How, and how much?

Bellerby’s globes aren’t cheap. They run from about $1,900 for the smallest to six figures for the 50-inch Churchill model. He makes about 600 orbs a year of varying size, framing and ornamentat­ion.

Creating them is a complex process that starts with the constructi­on of a sphere and progresses to the applicatio­n of fragile petal-shaped panels, called gores, that are fitted together around the sphere’s surface. Artists perched around Bellerby’s London studio painstakin­gly blend and apply paint — dreamy cobalt and mint for the oceans, yellow, greens and ochre for the landscape.

Who buys a globe today?

Bellerby doesn’t name clients, but he says they come from more socioecono­mic levels than you’d think — from families to businesses and heads of state. Private art collectors come calling. So do filmmakers.

Bellerby said his firm made four globes for the 2011 movie “Hugo.” One globe can be seen in the 2023 movie “Tetris,” a freestandi­ng straight-leg Galileo model, which features prominentl­y in a scene.

And yes, some of the planet’s wealthiest people buy them. The family of German tool and hardware company chairman Reinhold Wurth gave him a Churchill, the largest model, for his 83rd birthday. It is now on display at the Museum Wurth 2 in Berlin.

‘Political minefield’

There is no internatio­nal standard for a correctly drawn earth. Countries, like people, view the world differentl­y, and some are highly sensitive about how their territory is depicted. To offend them with “incorrectl­y” drawn borders on a globe is to risk impoundmen­t of the orbs at customs.

“Globemakin­g,” Bellerby said, “is a political minefield.”

China doesn’t recognize Taiwan as a country. Morocco doesn’t recognize Western Sahara. India’s northern border is disputed. Many Arab countries, such as Lebanon, don’t acknowledg­e Israel.

Bellerby said the company marks such borders as disputed: “We cannot change or rewrite history.”

History’s ‘earth apple’

Scientists since antiquity, famously Plato and Aristotle, posited that the earth is not flat but closer to a sphere. (More precisely, it’s a spheroid.) The oldest known surviving terrestria­l globe dates to 1492. No one in Europe knew of the existence of North or South America at the time.

It’s called the “Erdapfel,” which translates to “earth apple” or “potato.” The orb was made by German navigator and geographer Martin Behaim, who was working for the king of Portugal, according to the Whipple Museum.

It contained more than just the cartograph­ical informatio­n then known, but also details such as commoditie­s overseas, market places and local trading protocols.

It’s also a record of a troubled time.

“The Behaim Globe is today a central document of the European world conquest and the Atlantic

slave trade,” according to the German National Museum’s web page on the globe, exhibited there. In the 15th century, the museum notes, “Africa was not only to be circumnavi­gated in search of India, but also to be developed economical­ly.

“The globe makes it clear how much the creation of our modern world was based on the violent appropriat­ion of raw materials, the slave trade and plantation farming,” the museum continues, or “the first stage of European subjugatio­n and division of the world.”

Churchill, Roosevelt’s twin globes

During World War II, two orbs in particular were commission­ed for leaders on opposite sides of the Atlantic as symbols of power and partnershi­p.

For Christmas in 1942, the U.S. delivered twin globes to American president Franklin Roosevelt and British Prime Minister Winston Churchill. They were 50 inches in diameter and weighed hundreds of pounds each, believed to be the largest and most accurate globes of the time.

It took more than 50 government geographer­s, cartograph­ers and draftsmen to compile the informatio­n to make the globe, constructe­d by the Weber Costello Company of Chicago Heights, Illinois.

The Roosevelt globe now sits at the Roosevelt Library in Hyde Park, New York, and Churchill’s globe is at Chartwell House, the Churchill family home in Kent, England, according to the U.S. Library of Congress.

In theory, the leaders could use the globes simultaneo­usly to formulate war strategy. “In reality, however,” Bellerby said, “the gift of the globes was a simple PR exercise, an important weapon in modern warfare.”

 ?? KIN CHEUNG/AP ?? Artists construct a globe Feb. 27 at a studio in London.
KIN CHEUNG/AP Artists construct a globe Feb. 27 at a studio in London.

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