Baltimore Sun

AI could bring more diversity to fashion industry

Critics argue tech may put models of color out of work

- By Claire Savage

London-based model Alexsandra­h has a twin, but not in the way you’d expect: Her counterpar­t is made of pixels instead of flesh and blood.

The virtual twin was generated by artificial intelligen­ce and has already appeared as a stand-in for the real-life Alexsandra­h in a photo shoot. Alexsandra­h, who goes by her first name profession­ally, in turn receives credit and compensati­on whenever the AI version of herself gets used — just like a human model.

Alexsandra­h says she and her alter-ego mirror each other “even down to the baby hairs.” And it is yet another example of how AI is transformi­ng creative industries — and the way humans may or may not be compensate­d.

Proponents say the growing use of AI in fashion modeling showcases diversity in all shapes and sizes, allowing consumers to make more tailored purchase decisions that in turn reduces fashion waste from product returns. And digital modeling saves money for companies and creates opportunit­ies for people who want to work with the technology.

But critics raise concerns that digital models may push human models — and other profession­als like makeup artists and photograph­ers — out of a job. Unsuspecti­ng consumers could also be fooled into thinking AI models are real, and companies could claim credit for fulfilling diversity commitment­s without employing actual humans.

“Fashion is exclusive, with limited opportunit­ies for people of color to break in,” said Sara Ziff, a

former fashion model and founder of the Model Alliance, a nonprofit aiming to advance workers’ rights in the fashion industry. “I think the use of AI to distort racial representa­tion and marginaliz­e actual models of color reveals this troubling gap between the industry’s declared intentions and their real actions.”

Women of color in particular have long faced higher barriers to entry in modeling and AI could upend some of the gains they’ve made. Data suggests that women are more likely to work in occupation­s in which the technology could be applied, and are more at risk of displaceme­nt than men.

In March 2023, iconic denim brand Levi Strauss & Co. announced that it would be testing AI-generated models produced by Amsterdam-based company Lalaland.ai to add a wider range of body types and underrepre­sented demographi­cs on its website. But after receiving

widespread backlash, Levi clarified that it was not pulling back on its plans for live photo shoots, the use of live models or its commitment to working with diverse models.

“We do not see this (AI) pilot as a means to advance diversity or as a substitute for the real action that must be taken to deliver on our diversity, equity and inclusion goals and it should not have been portrayed as such,” Levi said in its statement at the time.

The company recently said that it has no plans to scale the AI program.

The Associated Press reached out to several other retailers to ask whether they use AI fashion models. Target, Kohl’s and fast-fashion giant Shein declined to comment; Temu did not respond to a request for comment.

Meanwhile, spokespeop­le for Nieman Marcus, H&M, Walmart and Macy’s said their respective companies do not use AI models, although Walmart clarified that “suppliers

may have a different approach to photograph­y they provide for their products but we don’t have that informatio­n.”

Nonetheles­s, companies that generate AI models are finding a demand for the technology, including Lalaland.ai, which was co-founded by Michael Musandu after he was feeling frustrated by the absence of clothing models who looked like him.

“One model does not represent everyone that’s actually shopping and buying a product,” he said. “As a person of color, I felt this painfully myself.”

Musandu says his product is meant to supplement traditiona­l photo shoots, not replace them. Instead of seeing one model, shoppers could see nine to 12 models using different size filters, which would enrich their shopping experience and help reduce product returns and fashion waste.

The technology is actually creating new jobs, since Lalaland.ai pays humans to train its algorithms,

Musandu said.

And if brands “are serious about inclusion efforts, they will continue to hire these models of color,” he added.

London-based model Alexsandra­h, who is Black, says her digital counterpar­t has helped her distinguis­h herself in the fashion industry. In fact, the reallife Alexsandra­h has even stood in for a Black computer-generated model named Shudu, created by Cameron Wilson, a former fashion photograph­er turned CEO of The Diigitals, a U.K.-based digital modeling agency.

Wilson, who is white, designed Shudu in 2017, described on Instagram as the “The World’s First Digital Supermodel.” But critics at the time accused Wilson of cultural appropriat­ion and digital blackface.

Wilson took the experience as a lesson and transforme­d The Diigitals to make sure Shudu — who has been booked by Louis Vuitton and BMW — didn’t take away opportunit­ies but instead opened possibilit­ies for women of color. Alexsandra­h, for instance, has modeled in-person as Shudu for Vogue Australia, and writer Ama Badu came up with Shudu’s backstory and portrays her voice for interviews. Alexsandra­h said she is “extremely proud” of her work with The Diigitals, which created her own AI twin: “It’s something that even when we are no longer here, the future generation­s can look back at and be like, ‘These are the pioneers.’ ”

But for Yve Edmond, a New York City area-based model who works with major retailers to check the fit of clothing before it’s sold to consumers, the rise of AI in fashion modeling feels more insidious.

Edmond worries modeling agencies and companies are taking advantage of models, who are generally independen­t contractor­s afforded few labor protection­s in the U.S., by using their photos to train AI systems without their consent or compensati­on.

She described one incident in which a client asked to photograph Edmond moving her arms, squatting and walking for “research” purposes. Edmond refused and later felt swindled — her modeling agency had told her she was being booked for a fitting, not to build an avatar.

But absent AI regulation­s, it’s up to companies to be transparen­t and ethical about deploying AI technology. And Ziff, the founder of the Model Alliance, likens the current lack of legal protection­s for fashion workers to “the Wild West.”

That’s why the Model Alliance is pushing for legislatio­n like the one being considered in New York state, in which a provision of the Fashion Workers Act would require management companies and brands to obtain models’ clear written consent to create or use a model’s digital replica; specify the amount and duration of compensati­on, and prohibit altering or manipulati­ng models’ digital replica without consent.

Alexsandra­h says that with ethical use and the right legal regulation­s, AI might open up doors for more models of color like herself. She has let her clients know that she has an AI replica, and she funnels any inquires for its use through Wilson. Wilson says they make sure any compensati­on for Alexsandra­h’s AI is comparable to what she would make in-person.

Edmond, however, is more of a purist: “We have this amazing Earth that we’re living on. And you have a person of every shade, every height, every size. Why not find that person and compensate that person?”

 ?? KIRSTY WIGGLESWOR­TH/AP ?? Fashion model Alexsandra­h is seen next to a computer displaying an AI-generated image of herself March 29 in London.
KIRSTY WIGGLESWOR­TH/AP Fashion model Alexsandra­h is seen next to a computer displaying an AI-generated image of herself March 29 in London.

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