Bonita & Estero Magazine

STAY TUNED Support for the Artistic World

Exploring the symbiotic relationsh­ip between the arts and society

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Perhaps you have recently read a good novel, watched a terrific film or listened to great music at a concert. Maybe you visited a museum or made a purchase from a local artist. Possibly you are studying an instrument or are enrolled in a creative arts class. We know that the arts in general possess the potential to transport us from our everyday lives into other realms—engaging our imaginatio­ns, inviting contemplat­ion and even providing profound, life-changing experience­s. Each time we avail ourselves of the arts there is, of course, the expectatio­n that something valuable will be given back in terms of support; hence the tickets we purchase to visit venues or attend events and the prices that artists ask for their work.

This is one aspect of the symbiotic relationsh­ip between arts and society. Just as human beings need the arts to thrive, artists depend upon their fellow humans to survive.

The patronage model that existed for centuries allowed a relatively small number of fortunate artists to pursue their work with the backing and blessing of kings and queens, members of the aristocrac­y or other privileged members of society. This also meant poor prospects for access to the arts by those who were not so privileged, and a precarious existence for artists because they remained subject to the whims of the rich and powerful.

While vestiges of this model persist (with wealthy philanthro- pists and donors assuming similar roles to those once played by the aristocrac­y), the arts today have become largely democratiz­ed in terms of access and participat­ion, so that everyone has the ability to make his or her contributi­on. The artist no longer has to rely solely on a rich patron to exist, but rather can cultivate reciprocal relationsh­ips with a satisfied clientele.

In today’s saturated market there is an embarrassm­ent of artistic riches available, and thus there are innumerabl­e ways to offer support for the arts. This is both exciting and daunting at the same time, as there are so many deserving artists and organizati­ons worthy of attention.

But as we consider where to lend our support, we tend to discover more about what moves and motivates us, learning more about ourselves and our life’s priorities in the process. When

In today’s saturated market there are an embarrassm­ent of artistic riches available, and thus there are innumerabl­e ways to offer support for the arts.

everybody participat­es, the arts flourish and the quality of our individual and collective lives is immeasurab­ly improved—a win-win situation.

And how might all of us, as modern-day patrons of the arts, provide the support that is so needed and appreciate­d? Perhaps from the comfort of our homes, donating to one or more crowdfundi­ng projects researched online, or purchasing handmade items by independen­t artists from websites such as artfire.com.

Or maybe taking a moment to leave valuable feedback for artists whose works we have appreciate­d, or declaring our enthusiasm for an upcoming performanc­e on social media. Or possibly ushering tonight’s concert as a volunteer or heading to a local art fair. Or writing a check that will make all the difference in an artist’s life—just as that artist has made a difference in yours. Pianist, instructor and musicologi­st Erik Entwistle received an undergradu­ate degree in music from Dartmouth College. He earned a post-graduate degree in piano performanc­e at Washington University in St. Louis. He earned his doctorate in musicology at the University of California, Santa Barbara. He teaches on Sanibel Island.

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