George Romero, father of zombie film, at 77
NEW YORK — George whose classic “Night of the Living Dead” and other horror films turned zombie movies into social commentaries and who saw his flesh-devouring undead spawn countless imitators, remakes and homages, has died. He was 77.
Mr. Romero died yesterday following a battle with lung cancer, said his family in a statement provided by his manager Chris Roe. Mr. Romero’s family said he died while listening to the score of “The Quiet Man,” one of his favorite films, with his wife, Suzanne Desrocher, and daughter, Tina Romero, by this side.
Mr. Romero is credited with reinventing the movie zombie with his directorial debut, the 1968 cult classic, “Night of the Living Dead.” The movie set the rules imitators lived by: Zombies move slowly, lust for human flesh and can only be killed when shot in the head. If a zombie bites a human, the person dies and returns as a zombie.
Mr. Romero’s zombies, however, were always more than mere cannibals; they were metaphors for conformity, racism, mall culture, militarism, class differences and other social ills.
“Night of the Living Dead,” made for about $100,000, featured flesh-hungry ghouls trying to feast on humans holed up in a Pennsylvania house. In 1999, the Library of Congress inducted the black-and-white masterpiece into the National Registry of Films.
Many considered the film to be a critique on racism in America. The sole black character survives the zombies, but he is fatally shot by rescuers.
Ten years after “Night of the Living Dead,” Mr. Romero made “Dawn of the Dead,” where human survivors take refuge from the undead in a mall and then turn on each other as the zombies stumble around the shopping complex.
Film critic Roger Ebert called it “one of the best horror films ever made — and, as an inescapable result, one of the most horrifying. It is gruesome, sickening, disgusting, violent, brutal and appalling. It is also ... brilliantly crafted, funny, droll and savagely merciless in its satiric view of the American consumer society.”
Mr. Romero had a sometimes combative relationship with the genre he helped create. He called “The Walking Dead” a “soap opera” and said big-budget films like “World War Z” made modest zombie films impossible. Mr. Romero maintained that he wouldn’t make horror films he couldn’t fill with political statements.
“People say, ‘You’re trapped in this genre. You’re a horror guy.’ I say, ‘Wait a minute, I’m able to say exactly what I think,” Mr. Romero told the AP. “I’m able to talk about, comment about, take snapshots of what’s going on at the time. I don’t feel trapped. I feel this is my way of being able to express myself.”
The third in the Romero’s zombie series, 1985’s “Day of the Dead,” was a critical and commercial failure. There wouldn’t be another “Dead” film for two decades.
“Land of the Dead” in 2005 was the most star-packed of the bunch — the cast included Dennis Hooper, John Leguizamo, Asia Argento and Simon Baker. Two years later came “Diary of the Dead,” another box-office failure.