Boston Herald

Colleges seizing the moment to confront troubled history

- By CHARLOTTE BACON and BARBARA WILL Charlotte Bacon and Barbara Will work at Dartmouth College and are the co-founders of Montgomery/Will, a company devoted to helping institutio­ns navigate historical accountabi­lity.

The recent news that the 19th-century founder of Johns Hopkins was a slaveholde­r has given rise to the latest bout of soul-searching by a prestigiou­s university looking to align the values of its past with those of its present. Like Georgetown, Brown, Yale and many other institutio­ns of higher learning grappling with uncomforta­ble histories, Johns Hopkins must now move beyond public shock and embarrassm­ent to accountabi­lity, making sense of its legacy while recognizin­g the validity of present-day challenges to it.

This is, of course, easier said than done. Earlier this year, Princeton sought to sidestep the problem by choosing to remove the name of Woodrow Wilson — an avowed racist — from a prestigiou­s institute, now known the Princeton School of Public and Internatio­nal Affairs. Some worried this change would come at the cost of long-term institutio­nal identity. Other universiti­es, like Brown or Georgetown, have sought to counterbal­ance a compromise­d history through expensive institutes or initiative­s, such as Georgetown’s reparation­s project, which seeks to tip the scales of moral justice and make monetary amends to descendant­s of the enslaved people sold to ensure the school might keep its doors open. Yet not every institutio­n has the wherewitha­l to pursue such costly initiative­s.

What might historical accountabi­lity look like for other educationa­l institutio­ns? Liberal arts colleges might offer an answer. By using tools that help shape the minds and lives of students to focus on their own origins, historical narratives and practices, liberal arts colleges are uniquely positioned to develop incisive modes of historical reckoning. Dartmouth College, the institutio­n with which we are affiliated, has recently launched a successful program to engage undergradu­ates in shedding light on complicate­d corners of the college’s past. Four students a term have been given a stipend and room and board for a quarter to focus on a project of their choosing that is grounded in documents held in our Special Collection­s library. The project might have something to do with women faculty; with the history of LGBT individual­s at Dartmouth; or with the enslaved labor that supported the constructi­on and maintenanc­e of the college’s first buildings.

The fact is that no institutio­n can claim a blameless past when it comes to accessibil­ity, racial equity, gender parity and inclusivit­y. There is no organizati­on unmarked by hierarchy, exclusion or discrimina­tion. Yesterday’s benign monument is today’s signifier of toxic privilege. What is at stake for colleges, universiti­es or any organizati­on today is to find flexible, reflective and concrete measures, tailored to their particular needs, constituen­cies and histories to affirm the core values embedded in an institutio­n and its legacy while also maintainin­g a receptive, open commitment to continual institutio­nal self-renewal. What will work for one institutio­n will not work for another. But threaded through all of these activities — be they exhibition­s; historical re-accounting; renamings; new rituals — is their grounding in the central precepts of the liberal arts — that we must grapple with the stories we tell ourselves and one another about who we are and what matters. These efforts need to be integrated into the normal functionin­g of an organizati­on — not a scrambled, last-minute response to a public crisis.

The entwined scourges of racism and the COVID-19 pandemic — for all the misery they have created and brought to light — offer an unpreceden­ted opportunit­y for this kind of work to begin. With a fresh start on the horizon, we are all hungry to make the institutio­ns our children attend and the ones where we work and teach places where all can thrive. The tools are at our fingertips. They are in our libraries. They are in our memories. They reside in oral histories and in our museums. These stories are literally everywhere. But we need to be ready to listen to them, reckon with them and treat them with the respect and care that they deserve.

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