Boston Sunday Globe

Pompeii’s newly revealed art features figures of myth

Frescoes may have guided conversati­ons

- By Elisabetta Povoledo

ROME — Archaeolog­ists working at the ancient site of Pompeii unveiled their latest find Thursday: a formal dining room that offers a glimpse of how some of the wealthier denizens lived, or at least the art they could meditate on as they ate.

Painted dark black so that soot from candle smoke wouldn’t stain them, experts said, the walls are divided into panels. Several of them are decorated with couples who are associated with the Trojan War.

The dining room is part of an insula, the equivalent of a city block, that has been excavated in connection with a project to shore up the perimeter between the excavated and unexcavate­d areas of the city, part of which remains undergroun­d. The project will help better preserve the site.

“People would meet to dine after sunset; the flickering light of the lamps had the effect of making the images appear to move, especially after a few glasses of good Campanian wine,” Gabriel Zuchtriege­l, director of the archaeolog­ical park of Pompeii, said in a news release about the dining area. “The mythologic­al couples provided ideas for conversati­ons about the past and life, only seemingly of a merely romantic nature. In reality, they refer to the relationsh­ip between the individual and fate.”

The couples include Helen of Troy and Paris, who is identified in the scene with a Greek inscriptio­n by his other name, Alexandros, while a panel on the same wall shows Helen’s parents: Leda, queen of Sparta, and Zeus, depicted as the swan who seduced her. Across the room, facing Helen, her handmaiden, and Paris — and a despondent-looking dog — is Cassandra, who could see the future, along with Apollo, who had cursed her so her prophecies would not be believed.

There is evidence that the room was part of a building that was being restored when Mount Vesuvius abruptly erupted, burying the city in pumice stones and ash in the year 79, Zuchtriege­l said in a telephone interview.

“It seems like the entire insula was being reconstruc­ted at the moment of the eruption,” he said. Zuchtriege­l said the reconstruc­tion might have been the result of an earthquake that had shaken the city “a few months” before Vesuvius blew.

In another recently excavated chamber adjacent to the dining room, archaeolog­ists found stacked roof tiles, work tools, bricks, and lime, discoverie­s that offered insight into ancient building techniques.

During the past year, various areas of the insula have been unearthed, offering fresh understand­ing about how the ancient residents lived. For example, one room linked to a bakery suggests that some enslaved people lived alongside donkeys in a dark room where the only window was covered in bars. A fresco in another chamber seems to show that locals liked pizza, or at least a prototype of sorts. Electoral inscriptio­ns in the bakery hint that buying votes was not unheard of.

The dining room frescoes are painted in the so-called Third Style, popular in Pompeii from about 15 B.C. to mid-first century, Zuchtriege­l said, and there is evidence that they had been retouched in ancient times.

The dining room is currently closed to the public because more excavation­s are underway.

“We don’t know what’s there — that’s the great part,” Zuchtriege­l said.

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 ?? PARCO ARCHEOLOGI­CO DI POMPEI VIA NEW YORK TIMES ?? Photos provided by Parco Archeologi­co di Pompei showed the excavation site and some of the images from the walls.
PARCO ARCHEOLOGI­CO DI POMPEI VIA NEW YORK TIMES Photos provided by Parco Archeologi­co di Pompei showed the excavation site and some of the images from the walls.
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