Call & Times

For hotel reviewers, life of luxury is hard work

Changing guidebooks leave writers seeking something original

- By ANDREA SACHS

On a sticky August morning in New Orleans, Cameron Quincy Todd walked into the Cornstalk Hotel, the 65th property she has visited in six months. She didn't look ragged after a long journey, and she wasn't carrying any luggage. Instead, she looked refreshed and toted only a small pink satchel containing a notebook — two major clues to her true identity. She approached the front desk and announced herself: The hotel reviewer with Fodor's Travel had arrived. No need to be nervous.

"The tour is really to get a feel of the place and the vibe of the hotel," said the New Orleans resident who grew up outside Chicago. "I am providing what the reader can't find in an online search."

Cameron is one of 25 local writers feeding the new online beast called Fodor's Hotels, the publicatio­n's reimagined reviews section. The 29-year-old is responsibl­e for all of New Orleans, which means inspecting nearly 90 hotels, including many sleepovers only a few miles from her home.

"I was the kind of kid who wanted to live in a hotel," she said. "I wanted to be Eloise."

She started working with Fodor's three years ago, focusing on nightlife — a natural fit for the bartender with the master's degree in creative writing. When the 81-yearold travel guidebook company decided to plump up its hotel feature, Cameron expanded her coverage as well. Now, in addition to cocktails, she must focus her lens on the wider, and sometimes wackier, landscape of lodging. She squeezes mattresses, peers into showers and, with a straight face, asks such questions as, "Do you have ghosts?"

"I have become more discerning, because I have seen so many hotels," she said. "I want something to stand out."

Before the revamp, Fodor's reviews resembled Cliffs-Notes, with a brief introducti­on and a short list of bullet-pointed pros and cons. Last year, the publicatio­n decided to provide more images and meatier details about the properties. It also introduced a search tool called experience­s, the colorful umbrella for such niche categories as "9021Oooh-La-La: The 8 Poshest Hotels in Beverly Hills," "5 Old Montreal Hotels With So Much Charm, You'll Swear You're in Europe" and "10 New York Hotels That Are a Serious Bargain."

"User-generated sites have their benefits, but we want to cut through the noise and make [choosing a hotel] as easy as possible," said Jeremy Tarr, Fodor's digital editorial director.

The redesign is a work-inprogress. In March, Fodor's released its first quartet of cities and added four more over the summer, including New Orleans. By the end of next year, Tarr expects to post reviews for 100 destinatio­ns, a mix of standards (London, Tokyo, Bangkok, etc.) and radar-blipping spots (Lima, Peru; Helsinki; Marfa, Texas). Each city will feature 40 to 180 hotels. By late August, Cameron's stack had dwindled to about four places, plus any shiny, new hotels that might suddenly catch her attention.

"I've seen some really good hotels," she said. "They're bringing it."

Before stepping inside a hotel, Cameron first snoops around the property online. She will peruse its website to gather such background informatio­n as history, amenities and number of suites. She also skims recent reviews on Yelp and Trip-Advisor, noting issues raised by guests that she might address during the tour, such as parking options. However, she often raises a skeptical eyebrow when reading the criticisms. For example, in response to a guest complainin­g about the dust in an air-conditioni­ng unit, she asked incredulou­sly, "Did they pull the grates off?" To the visitor disgusted by a stain on the mattress, Cameron wondered why the person yanked all the linens off the bed in the first place. Her puzzled expression read: "Who does that?" In a July review of the Q & C Hotel Bar, a guest blamed the staff for having missed a 5 p.m. wedding ceremony because her room wasn't ready an hour earlier. "Why didn't she leave her bags at the hotel and take a cab to the event?" she said in a more polite version of "D'uh."

"I read the one- and two-star reviews," she said, "but I don't take them too seriously."

Cameron arranges tours for nearly every hotel and spends the night at about a third of the properties. (Fodor's writers accept comped rooms and meals but don't guarantee a published review.) In a typical week, she might sleep at one to two hotels and drop into four or five places.

At the 14-room Cornstalk Hotel, a 200-year-old manor in the French Quarter, she had planned to meet the manager but discovered, while standing in the ornate hallway, that her contact was not there. Mellene Dilbert, a housekeepe­r, hopped to attention and offered to show her around. Cameron, accustomed to the idiosyncra­sies of small inns, accepted.

"There's a certain amount of leniency required. Sometimes I have to wait or the person doesn't show up," said the pink-haired reviewer, who was dressed in head-to-toe black. "But I think that says something about a housekeepe­r who is that enthusiast­ic."

Mellene started with some celebrity guest-dropping: Elvis stayed in Room 101, then-President Bill Clinton slept in Room 102. Afterward, Mellene cracked open the door to Room 105, a jewel-toned space as beguiling as a Faberge egg.

"Look at the gold ceiling!" Cameron exclaimed. She ran a hand over the textured burgundy wallpaper that evoked a quilted duvet. "Doesn't it look cushiony?"

Cameron peppered Mellene with questions: Do the rooms have a shower/bath combo? (No.) Does the hotel serve breakfast? (No, but there is a coffee station.) Do all of the rooms have chandelier­s? (Yes, and princess phones.) Is there an elevator? ("I wish.")

Mellene led Cameron upstairs to a balcony overlookin­g Royal Street. Below, tourists snapped photos by a wrought-iron gate decorated with cornstalks, a gift from the original owner to his wife, who missed her home state of Iowa.

"Do people come out here for cocktails?" she asked.

They do, answered Mellene, adding that the staff will bring guests ice and wine glasses for their drinks. Cameron jotted the details in her notebook and then launched into the supernatur­al.

"Do you have guests asking about ghosts?" she asked.

"There was a guest in Room 214 who was scared," Mellene said. "But no one ever died here."

Back downstairs, the tour veered a bit off-course when Mellene shared a personal anecdote involving a missing tooth, a kidnapped child and an arrest. Cameron regained control by inquiring about the common spaces, the typical age of the guests and the frequency of special events, such as wedding parties and anniversar­ies. She again remarked on the wallpaper, which in Room 102 was a vivid shade of turquoise.

"It's cozy and homey," said Mellene, scripting her own review of the Cornstalk. "I feel like I am going to my Auntie's."

After about an hour, Cameron inched toward the front door. She thanked Mellene and departed the cool interior for the dewy humidity of Louisiana. In the courtyard, she reflected on the visit, quirks and all.

"That's normal at small hotels," she said. "They're casual, and this is New Orleans."

On the short walk to the next hotel, the Q & C Hotel Bar in the Central Business District, Cameron discussed some of the properties that have surprised and delighted her. She noted that many of her favorites are located in less-touristed or emerging neighborho­ods, such as the Lower Garden District and Mid-City.

"I had 15 new hotels and I reviewed them first," she said, "because I was excited about those."

Among her valentines: the Pontchartr­ain Hotel, which has a rooftop bar with views of the Mississipp­i River; the Quisby, a hostel set in a former boardingho­use of notoriety; the Drifter, a revived motel with a Miami vibe circa Don Johnson; and the Henry Howard Hotel, a 19th-century Greek Revival mansion surrounded by live oaks.

When surveying a hotel, Cameron pays close attention to the holy trinity: cleanlines­s, spaciousne­ss of rooms and value. But she also seeks out captivatin­g lobbies, guest-only public spaces, swimming pools and large windows with streaming natural light. On the flip side, she has little tolerance for middling hotel restaurant­s.

"I don't want to put in any mediocre restaurant­s," she said. "Some people come here just to eat, so the hotels really have to bring it."

 ??  ?? ABOVE: Fodor’s Travel reviewer Cameron Todd checks a mattress in a hotel room at the Queen and Crescent Hotel during a tour led by account director Ingrid PalomoD'Aquin, right.
ABOVE: Fodor’s Travel reviewer Cameron Todd checks a mattress in a hotel room at the Queen and Crescent Hotel during a tour led by account director Ingrid PalomoD'Aquin, right.
 ?? Edmund D. Fountain/ The Washington Post ?? LEFT, BOTTOM: Todd photograph­s a bathroom in a hotel room at the Q& C Hotel Bar. "The rooms have a clean and new feeling, because the hotel was recently renovated," she noted later.
Edmund D. Fountain/ The Washington Post LEFT, BOTTOM: Todd photograph­s a bathroom in a hotel room at the Q& C Hotel Bar. "The rooms have a clean and new feeling, because the hotel was recently renovated," she noted later.
 ??  ?? LEFT, MIDDLE: Todd takes notes while touring the Cornstalk Hotel with housekeepe­r Mellene Dilbert, right. Todd is responsibl­e for all of New Orleans, which means inspecting nearly 90 hotels.
LEFT, MIDDLE: Todd takes notes while touring the Cornstalk Hotel with housekeepe­r Mellene Dilbert, right. Todd is responsibl­e for all of New Orleans, which means inspecting nearly 90 hotels.

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