Call & Times

Peter Tork, bass player, singer in the Monkees, 77

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Peter Tork, a blues and folk musician who became a teeny-bopper sensation as a member of the Monkees, the wisecracki­ng, made-for-TV pop group that imitated and briefly outsold the Beatles, died Feb. 21. He was 77.

The death was announced by his official Facebook page, which did not say where or how he died. Tork was diagnosed with adenoid cystic carcinoma, a rare cancer affecting his tongue, in 2009.

If the Monkees were a manufactur­ed version of the Beatles, a “prefab four” who auditioned for a rock ‘n’ roll sitcom and were selected more for their long-haired good looks than their musical abilities, Tork was the group’s Ringo, its lovably goofy supporting player.

On television, he performed as the self-described “dummy” of the group, drawing on a persona he developed while working as a folk musician in Greenwich Village, where he flashed a confused smile whenever his stage banter fell flat. Off-screen, he embraced the Summer of Love, donning moccasins and “love beads” and declaring that “nonverbal, extrasenso­ry communicat­ion is at hand” and that “dogmatism is leaving the scene.”

A versatile multi-instrument­alist, Tork mostly played bass and keyboard for the Monkees, in addition to singing lead on tracks including “Long Title: Do I Have to Do This All Over Again,” which he wrote for the group’s psychedeli­c 1968 movie, “Head,” and “Your Auntie Grizelda.”

At age 24, he was also the band’s oldest member when “The Monkees” premiered on NBC in 1966. Not that it mattered: “The emotional age of all of us,” he told the New York Times that year, “is 13.”

Created by producers Bob Rafelson and Bert Schneider, “The Monkees” was designed to replicate the success of “A Hard Day’s Night” and “Help!,” director Richard Lester’s musical comedies about the Beatles.

The band featured Tork alongside Michael Nesmith, a singer-songwriter who played guitar, and former child actors Micky Dolenz and Davy Jones, who played the drums and sang lead, respective­ly. Like their British counterpar­ts, the group had a fondness for mischief, resulting in high jinks involving a magical necklace, a monkey’s paw, high-seas pirates and Texas outlaws.

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