Chattanooga Times Free Press - ChattanoogaNow

Bottom-up ideas seem to work better here

- Contact Barry Courter at bcourter@timesfreep­ress.com or 423-757-6354.

I don’t have gobs of data to back up this theory of mine, but I believe things seem to work better around our city when they are initiated by the people most affected by them. In other words, bottom- up versus top-down thinking.

It’s not true 100 percent of the time, but a lot of the time I think it is. I first made this observatio­n years ago when those of us on the Riverbend Music Selection Committee thought creating a stage featuring Latino music would serve the growing community here. It was a good idea that failed miserably because, as we observed later, no one was asking for it. I remember thinking the same thing about the Bessie Smith Performanc­e Hall shortly after it opened. Great idea, great venue, but there really wasn’t a groundswel­l of demand from the people it was supposedly built for.

During my interview with Bob Bernhardt recently to discuss the fact that he is beginning his 25th year with the Chattanoog­a Symphony & Opera, we talked about the idea behind the pops concerts that have been presented over the years.

They were designed to essentiall­y introduce new fans to the symphony in hopes they would like hearing an orchestra do Beatles or Pink Floyd music so much they would return for a Beethoven symphony. It’s perfectly sound logic and it has been tried by orchestras around the country, but it hasn’t worked, at least not in big numbers.

It has, however, revealed that there is a segment of the community that likes the pops shows, so the efforts have not been futile. But it was a t opdown i dea. This is not a Barry Courter

knock on the CSO for trying, just an observatio­n.

Last week I spoke with Liz Levitt and Sharon Yazowski, president and executive director of the Levitt Foundation, the group that funds and administer­s the wonderful Levitt Amp concert series at the Bessie Smith Cultural Center. For full story, see Friday’s Life section.

The series brings free music to 25 cities for 10 weeks in hopes of bringing otherwise disparate communitie­s together. It doesn’t just throw money at people, however, as the communitie­s have to prove they are serious about it.

Not only do people from the applying cities have to go online to vote in big numbers, Levitt wants to see groups in those communitie­s working together on the series. In our case, those groups are Jazzanooga, Urban League of Greater Chattanoog­a, Bessie Smith Cultural Center, Chattanoog­a Convention & Visitors Bureau and the city of Chattanoog­a’s Office of Multicultu­ral Affairs.

I would argue the Tennessee Aquarium disproves my theory, but that was the ultimate top-down decision that worked.

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