Chattanooga Times Free Press - ChattanoogaNow

‘FORD V FERRARI’: IT’S A GAS

- BY A.O. SCOTT NEW YORK TIMES NEWS SERVICE

Quick: Who won the 24 Hours of Le Mans in 1966?

If you know the answer without Googling, then I probably don’t have to sell you on “Ford v Ferrari,” James Mangold’s nimble and crafty reconstruc­tion of a storied moment in the annals of auto racing.

You will probably go in prepared to spot torque differenti­als and historical discrepanc­ies that escaped my notice. If, on the other hand, you are (like me) a bit of a motorsport ignoramus, then you might want to stay away from web-search spoilers and let the film surprise you.

It is, all in all, a pleasant surprise. Partly because Christian Bale and Matt Damon, the lead actors, are really good, and are supported by a fine cast that includes Tracy Letts in one of the best and least-expected crying scenes of the year. And partly because the car stuff — in the garage and on the track — is crisply filmed and edited, offering a reminder that movies and automobile­s have a natural affinity and a lot of shared history. From the Keystone Kops days to “The Fast and the Furious,” some of the best motion in motion pictures has come from gasoline-powered vehicles.

But “Ford v Ferrari,” written by Jez Butterwort­h, John-Henry Butterwort­h and Jason Keller, pushes the connection further, suggesting subtle but unmistakab­le links between racing and filmmaking as aesthetic and economic propositio­ns. Carroll Shelby and Ken Miles, the car designer and driver played by Damon and Bale, are risk-hungry free spirits gambling with someone else’s money, unruly individual­ists who nonetheles­s depend on the good will of a large corporatio­n.

The conflict alluded to in the title — between the assembly lines of Detroit and the artisanal workshops of Modena, Italy, for supremacy in the racing world — is a bit of a red herring. The real struggle is between the managers and bureaucrat­s of Ford Motor Co. and the mavericks whose work rolls out onto the track bearing the Ford logo.

They are, in any case, cool guys of a particular vintage, avatars of a salty, clean-cut, old-style masculinit­y that is enjoying a somewhat improbable vogue these days.

Their effort to build a Le Mans-winning race car for Ford is an engineerin­g challenge similar in ambition to the Apollo program commemorat­ed in Damien Chazelle’s “First Man,” though smaller in scale.

Carroll, a former Le Mans champion who gave up competitiv­e driving for health reasons, knows

Ken, who runs a struggling repair shop in Los Angeles, from the American racing circuit. The two of them take up a commission bestowed by Henry Ford II (the wonderful Letts). His family business is threatened by the doughtines­s of its products, which restless young baby boomers don’t want to buy. Beating

‘Ford v Ferrari’

› Rating: PG-13 for strong

language and fast driving › Running time: 2 hours,

32 minutes

› Theaters: AMC Classic

Chattanoog­a 10

Ferrari at Le Mans will be part of a rebranding strategy that also includes the introducti­on of the sporty Mustang.

The Italians are foils — old-world artisans and Machiavell­ian schemers whose ethos is embodied by the company patriarch, Enzo Ferrari (Remo Girone). Carroll and Ken don’t have much to do with their rivals before the race itself, tangling instead with Lee Iacocca (Jon Bernthal), a frustrated semi-visionary in the ranks of the Ford executives, and Leo Beebe (Josh Lucas), who is given control of the company’s racing program.

Beebe, with his side-parted hair, his boxy suits and his unctuous grin, is the designated villain, with a special animus against Ken, who is evidently “not a Ford man.” Carroll is caught in the middle, since he is technicall­y Ken’s boss and the person Ford has, somewhat reluctantl­y, decided to trust. The boardroom intrigue enlivens the raceway drama, and vice versa.

“Ford v Ferrari” is no masterpiec­e, but it is — to invoke a currently simmering debate — real cinema, the kind of solid, satisfying, nonpanderi­ng movie that can seem endangered nowadays. To put it in the simplest terms: You may not think you care who won at Le Mans in 1966, but for 2 1/2 hours, you will.

 ?? 20TH CENTURY FOX VIA AP ?? Christian Bale in a scene from “Ford v. Ferrari.”
20TH CENTURY FOX VIA AP Christian Bale in a scene from “Ford v. Ferrari.”

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