Chattanooga Times Free Press

Icons: It’s all in the journey

- Clint Cooper

The 4-foot high, blue-andgold sculpture in the narthex — or entry hall — at St. Paul’s Episcopal Church could easily depict a dozen people dancing, their arms on each other’s shoulders.

But it happens to be a crown of thorns like the one placed on Christ prior to his crucifixio­n.

The image is in the eye of the beholder.

And it’s all about the journey.

For the next two months, the downtown church will host the exhibit “Icons in Transforma­tion,” a collection of about 150 pieces by Ludmila Pawlowska, a Russian-born, contempora­ry abstract artist now living in Sweden. The art is her response to the sudden loss of her mother and the continuati­on of her personal spiritual journey.

Don’t let the title fool you. This is not a collection of stuffy, theology-driven paintings and sculptures the average person — even the average religious person — can’t relate to. Instead, it’s an exhibit in which Pawlowska encourages people to find themselves.

“It’s a journey of seeing, a journey of searching,” she says. “That’s who we are. We’re on the way to find ourselves, our spirituali­ty.”

The search for Pawlowska began after her mother’s sudden death when on a visit to see her in Sweden. A child prodigy who gained fame with her floral and landscape work, the artist returned to her native Russia after the loss and found new inspiratio­n from icons — traditiona­l religious images, usually on wood — in the country’s Orthodox churches.

“Something happened,” she says. The icons offered “this message, this spiritual power,” the desire to “capture the light in my way.” Her work and her journey were forever changed.

The collection, which she says has been “growing and growing and growing,” has been exhibited in cathedrals and museums throughout Europe and now has been seen by more than 150,000 people in the United States.

St. Paul’s rector, the Rev.

in Kansas City and worked to bring it to Chattanoog­a.

The exhibit is different at each stop, Pawlowska says, because of which pieces are hung, where they’re hung and how they’re lighted. In addition, she says, each stop usually has several new pieces.

Included with the exhibit are around a dozen traditiona­l icons, loaned from an Orthodox seminary, to offer a contrast — and display the inspiratio­n — for her work.

“I’m not an icon painter,” Pawlowska says. Traditiona­l icons “have strict rules. They all look the same.”

Not hers. Her work, she says, is part of the journey from the past to the future.

The pieces are displayed on stands or hung on walls of the nave, the narthex, the adjacent halls and the Exum Gallery at St. Paul’s. They’re even across the street in Second Presbyteri­an Church.

They are big, small and somewhere in between. They are done in acrylic, oil and numerous other mediums. They incorporat­e a variety of objects from coins to bullets, from fabric to dried plants, from copper to barbed wire.

Many have eyes — the window of the face of someone “looking at you” who

Included with the exhibit are around a dozen traditiona­l icons, loaned from an Orthodox seminary, to offer a contrast — and display the inspiratio­n — for her work.

“loves you” and “accepts you.”

Their colors mean something. Gold symbolizes the glory of heaven, the permanence of God. Red is the symbol of life, the life Christ gave through the shedding of his blood. Blue is the color of humanity.

Most important of all, Pawlowska says, they are open for interpreta­tion.

“You decide,” she says. “They are open for you.”

There is no cost to view the exhibit. Regular hours are Tuesday through Friday from 11 a.m. to 3 p.m. and Saturday from 10 a.m. to noon.

The art is even for sale, with a portion of the proceeds going to the ministries of the churches in which they are exhibited.

Contact Clint Cooper at ccooper@timesfreep­ress.com or 423-757-6497. Subscribe to his posts online at Facebook. com/ClintCoope­rCTFP.

 ??  ??

Newspapers in English

Newspapers from United States