Chattanooga Times Free Press

Knot the ’70s: Macrame goes millennial

- BY ROSEMARY PONNEKANTI THE NEWS TRIBUNE (TACOMA, WASH.)

Disco. Mullet hairstyles. Tight shiny shirts.

Some things have stayed in the 1970s, and deservedly so. But macrame is back in a big way, thanks to new materials, boho-loving millennial­s and creative artists who think way beyond brown jute owls and plant hangers.

“People like the boho look, with lots of plants and things,” says Mandy Morrison. “I think that’s why it’s popular right now.”

Morrison’s home in Washington state isn’t exactly a New York loft, but there’s one thing that stands out against the white-and-gray color scheme, baskets and snake plants: macrame. A weaver and macrame artist who sells on Etsy as Paige & Roy, Morrison’s living and dining room walls are almost three-dimensiona­l with textured rope and string, knotted together on artsy driftwood like finely sculpted sand dunes.

“My mom did macrame back in the ’70s,” says Morrison, who has young children of her own. “I was weaving for about three years and using Instagram a lot for business. I found a lot of other fiber artists using knots and macrame.”

So a year ago, Morrison tried her hand at the knot-based fiber art that many folks over 40 remember from school craft days. She learned some knots from her mother and studied books and YouTube for the rest, finding online sources for materials and exploring what was possible.

The result hangs on the walls in her home and in the Tacoma, Wash., homewares shop Evolve. Threefoot-long hangings that drape with layer over layer of loose knots and vertical

Modern Macrame, an online Portland company, recently completed an installati­on for Ralph Lauren that transforms a ceiling into an upside-down forest of textured strands.

strings. Tiny hangings of tight square knots that clip to purses. A hanging from two deer antlers that Morrison found at a thrift shop, with four layers scooping downward like V-necks, combed out at the ends like a beard and combining into an abstract “face.” Inverted Christmas-trees made of knotted string. A dreamcatch­er on metal rings, loosely woven at the top and ending in a zigzag of knot lines. Delicate plant hangers showcase glass terrariums.

And offset perfectly on a deep teal wall, a 4-by-4-foot hanging that’s as much art as macrame: a patterned “Buddhist mesh” of square knots, draping loops of tight clove hitches outlining texture fields of mesh, verticals or loose weave, and occasional outbursts of fringe, like some kind of exotic shaggy pet.

A portable clothes rack holds Morrison’s work-inprogress.

“I used to draw it all out at first, but I change my mind so much now that I just kind of go,” says Morrison, about how she comes up with the designs.

In case you were still picturing those thick, prickly macrame hangings from the ’70s, millennial macrame is a very different animal. First, the materials: forget that brown jute that’s rough on your hands and sheds thousands of tiny fibers. Morrison uses packing twine for smaller, delicate hangings and threeply rope for bigger ones. Either way, it’s 100 percent cotton, in a calm, creamy

ecru that fits with trendy minimalist décor and with the 21st-century passion for the natural, textural and organic.

Then there are the horizontal supports. Morrison sources smooth, straight driftwood from the beach, but is also exploring woods like cholla from a recent visit to Joshua Tree, Calif., and out-of-the-box ideas like the antlers. Others weave or attach feathers, beads and more driftwood, using colored twine or even dip-dyeing hangings in indigo or tan.

Finally, there are the designs. Macrame can be as small as two strands of string or as big as a room. Modern Macrame, an online Portland company, recently completed an installati­on for Ralph Lauren that transforms a ceiling into an upsidedown forest of textured strands. Other artists such as Miriam Ragan of Newcastle, Australia, use thick rope for chunky, sculptural strands across an entire wall.

In Tacoma, Evolve pairs Morrison’s hangings with a gray wall and a plant-filled interior. Proctor shop Compass Rose recently showcased elaborate macrame lanterns, some 4 feet long, with a window display of twine diagonals from floor to ceiling interwoven with branches for a wintry look. Satori and Urban Exchange, both on Pacific Avenue, stock and display weavings and macrame, including vintage ’70s hangings.

“The boho-’70s trend is making a huge comeback,” says Evolve store manager Cindy Hickly, who first noticed Morrison’s work on Instagram last fall.

One thing that hasn’t changed since the ’70s is the basic knots.

“The technique is exactly the same,” says Morrison. “All the how-to books are from the ’70s.”

Basic macrame starts by cutting strands of string (Morrison starts with around 4 feet), looping them in half, then looping them over the horizontal

support in a “larks’ head” knot (pull the free ends under and through the looped end to the front.) After you’ve done a few of these, you can start tying them together in square knots. More strands can be looped onto existing strands in the same way to use up scraps. Learn a couple of extra knots (clove hitch, half-hitch) and you’re on your way. When you’re ready, tie off the strands, unwind the string or rope, and comb out the ends with a basic hair comb.

Morrison stands to work, watching Netflix as she does the hours and hours of looping and knotting.

“Macrame is very meditative for me,” explains Morrison. “I not only love the look of finished work, but the process itself is calming. On a bigger scale, I’ve met so many amazing artists because of macrame, and they are very inspiring.”

 ?? PHOTO BY PETER HALEY/TACOMA NEWS TRIBUNE/TNS ?? Mandy Morrison made these macrame wall hangings from cotton packing twine and three-ply rope.
PHOTO BY PETER HALEY/TACOMA NEWS TRIBUNE/TNS Mandy Morrison made these macrame wall hangings from cotton packing twine and three-ply rope.

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