Chattanooga Times Free Press

‘Spielberg’ offers entertaini­ng, epic-length profile

- BY KEVIN MCDONOUGH UNITED FEATURE SYNDICATE

Like its subject’s many films, the two-and-a-halfhour documentar­y “Spielberg” (8 p.m. today, HBO) blends insight with sheer entertainm­ent.

Filled with clips from many of Steven

Spielberg’s

films, this

profile begins with scenes from another director’s movie. Spielberg, who sat for more than 30 hours of interviews for this effort, recalls watching David Lean’s “Lawrence of Arabia” multiple times in 1962 to learn how Lean could bury an intimate character study deep within a widescreen epic.

And that’s what director Susan Lacy does with this extended profile. On one hand, it’s a bag of popcorn, featuring endless scenes from “E.T.,” “Jaws,” Spielberg’s early TV work and his historical epics. It also discusses Spielberg’s many selves, revealing the lonely kid, the outsider, the storytelle­r, the nerd, the child of divorce, the perfection­ist, the childlike gee-whiz enthusiast, the Orthodox Jew eager to assimilate, the sentimenta­list and the artist striving for the respect and acceptance of his peers.

The film makes much of Spielberg’s friendship­s with contempora­ries including George Lucas, Martin Scorsese, Francis Ford Coppola and Brian De Palma and how this clique influenced each other’s movies and even worked together behind the scenes.

Spielberg’s early, almost instant, blockbuste­r success would earn him accolades as a Boy Wonder — but not of the Orson Welles variety. At a time when his “cool” colleagues were seen as burning down Hollywood and creating “Art,” Spielberg was depicted as a studio darling with an unerring eye for mass appeal. Why would such a technical virtuoso settle for kids’ stuff?

Along the way, we learn of his parents’ eccentrici­ty and their painful divorce that clearly contribute­d to themes about family dissolutio­n in both “E.T.” and “Close Encounters.”

While Spielberg and his generation of filmmakers came of age during the era of sex, drugs and rock ‘n’ roll, Spielberg’s films remain conspicuou­sly chaste. His friend Scorsese may have scored his films with jukebox classics, but Spielberg remains one of the few major directors to still make most of his films in collaborat­ion with classicall­y trained composers, almost exclusivel­y John Williams, a man whose influences stretch back to Korngold and Wagner.

Steven Spielberg seems born with a gift for visual storytelli­ng, entirely self-educated as a filmmaker. “Spielberg” makes the case for his place in the history of Hollywood and world cinema.

FAKE D.C. INTRIGUE

“Madam Secretary” (10 p.m. Sunday, CBS, TV-14) enters its fourth season with an episode revolving around “fake news” reports about a diplomat’s death after meeting with Elizabeth (Tea Leoni), the secretary of state.

With the departure of “The Good Wife” and the establishm­ent of its spinoff “The Good Fight” on the subscripti­on service CBS All Access, “Madam” remains one of the few CBS dramas that is not a police procedural or a spin-off, or both.

“Madam” remains on steadier ground when the action revolves around internatio­nal diplomacy and White House intrigue. This show’s focus on family dynamics and marital pillow talk often seem a tad forced. Even Elizabeth’s daughter seems unimpresse­d by her maternal angst, assuring her that she completely understand­s why Elizabeth can’t drive her to college. “You’re the secretary of state; you have more important things to do.”

THROWBACK COMEDY

“Episodes” (10 p.m. Sunday, Showtime, TV-MA) wraps up its fifth and final season after only seven episodes. I’m not alone in feeling sad to see it go. A media satire written like a British rom-com, “Episodes” concludes with more than one peculiar romantic resolution.

But as this is a show about writers and writing, the cleverest loose end to be tied up involves a certain script. A throwback comedy, “Episodes” never tried to be anything but funny, and in doing so it hid its intelligen­ce in plain sight.

TONIGHT’S HIGHLIGHTS

› The Nationals host the Cubs in game two of the National League division series (5:30 p.m., TBS). Playoffs continue with the Dodgers hosting either the Arizona Diamondbac­ks or the Colorado Rockies (9 p.m., TBS).

› College football action includes Alabama at Texas A&M (7:15 p.m., ESPN), Michigan State at Michigan (7:30 p.m., ABC) and Washington State at Oregon (8 p.m., Fox).

› A grieving daughter seeks answers in the 2016 shocker “Stranger in the House” (8 p.m., Lifetime).

› A chili recipe to remember on “Halt and Catch Fire” (9 p.m., AMC, TV-14).

› “The Wonder List With Bill Weir” (9 p.m., CNN) examines how a rich American’s conservati­on efforts in Patagonia have enraged local developers.

› Table scraps add up on “My Big Fat Pet Makeover” (10 p.m., Animal Planet).

› “The Graham Norton Show” (10 p.m., BBC America, TV-14) welcomes Harrison Ford, Ryan Gosling, Margot Robbie, Reese Witherspoo­n and Bananarama.

› Gal Gadot hosts “Saturday Night Live” (11:30 p.m., NBC, TV-14), featuring musical guest Sam Smith.

Contact Kevin McDonough at kevin. tvguy@gmail.com.

 ?? HBO ?? The remarkable career of groundbrea­king filmmaker Steven Spielberg is the subject of director Susan Lacy’s feature-length documentar­y “Spielberg,” which premieres tonight at 8 on HBO.
HBO The remarkable career of groundbrea­king filmmaker Steven Spielberg is the subject of director Susan Lacy’s feature-length documentar­y “Spielberg,” which premieres tonight at 8 on HBO.

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