Chattanooga Times Free Press

The curtain rises on NBC’s ‘Rise’

- BY KEVIN MCDONOUGH UNITED FEATURE SYNDICATE

NBC heralds its new prestige musical melodrama “Rise” (10 p.m., NBC, TV-14).

Josh Radnor stars as Lou Mazzuchell­i, an English teacher overwhelme­d by his class’s apathy and the bureaucrat­ic grind of teaching in a sports-obsessed high school. Lou tries to break out of his personal spiritual funk by taking over the drama club and inspiring the kids to put “Grease” behind them and embrace the challenge of “Spring Awakening.”

Don’t expect the highstrung tone of “Glee” or the Disneyfied phoniness of “High School Musical.” This high school appears to be located in Bummertown, USA, a riverside Pennsylvan­ia burg right out of a Bruce Springstee­n ballad.

In addition to shots of bleak shoreline ruins and shuttered factories, its realistic documentar­y-style camerawork suggests influences of “Friday Night Lights.” That acclaimed series allowed Connie Britton to emerge as a strong character, playing the football coach’s wife. In the “Rise” pilot, Lou’s ever-sacrificin­g spouse, Gail (Marley Shelton), barely utters two sentences in a row.

To be fair, the pilot is too busy introducin­g one troubled teenage character after another. Singers become rivals because their parents are having a sloppy and not-so-secret affair. A closeted tenor’s devout parents dislike Lou’s choice of a “controvers­ial” play. The lighting guy is homeless, and the best singer of the bunch is undergoing gender reassignme­nt.

Lou’s snarling son, Gordy (Casey Johnson), never leaves his room, and the golden-boy quarterbac­k-turned-musical star (Damon J. Gillespie, a 2012 Chattanoog­a Center for Creative Arts grad) must visit his ailing mother in some grim facility.

The series does a nice job of blending audition performanc­es as montage moments and allowing untrained high school singers to sound like real human beings and not studio musicians.

But ultimately, “Rise” sinks under its own weight, an earnest self-importance that’s so resolutely humorless it’s almost funny.

On the other hand, I’m no fan of “This Is Us” (9 p.m., NBC, TV-14,) wrapping up its second season tonight. So, if you like that hanky soiler, “Rise” might be for you.

LEGAL EAGLES

Debuting tonight, “For the People” (10 p.m., ABC, TV-14) trots out the “Grey’s Anatomy” formula for the legal profession. Six very, very young type-A lawyers begin their practice at an esteemed federal court, but spend much of the time sniping at each other or sleeping together. If you can imagine the cast of “90210” conducting a trial of al-Qaida terrorists, “People” has your number.

OTHER HIGHLIGHTS

› 2018 NCAA Basketball Tournament action (6:30 p.m., Tru).

› Plagiarism charges seem familiar on “Bull” (9 p.m., CBS, TV-14).

› Our hero pursues exoneratio­n on “Black Lightning” (9 p.m., CW, TV-14).

› Playing pirate can be murder on “NCIS: New Orleans” (10 p.m., CBS, TV-14).

› Part history and part treasure hunt, “The Curse of Civil War Gold” (10 p.m., History) has the feel of a “Hardy Boys” adventure, right down to the deathbed confession of the old lighthouse keeper.

› Chip makes a discovery in the library on “Baskets” (10 p.m. FX, TV-MA).

› The case concludes on the “Bellevue” (10 p.m., WGN) season finale.

› Athletes who have squandered their paydays get financial advice from their peers on the new series “Back in the Game” (10 p.m., CNBC).

› A TV antiques dealer showcases potential murder evidence on “NCIS” (8 p.m., CBS, TV-14).

› Blind auditions conclude on “The Voice” (8 p.m., NBC, TV-PG).

› Phony tender on “Lethal Weapon” (8 p.m., Fox, repeat, TV-14).

› Mike’s big promotion on “The Middle” (8 p.m., ABC, TV-PG).

› Melting Pot simmers on “The Flash” (8 p.m., CW, TV-PG).

› Franchisin­g on “Fresh Off the Boat” (8:30 p.m., ABC, TV-PG).

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