Chattanooga Times Free Press

Broadway’s master of comedy, dies at 91

- BY MARK KENNEDY

NEW YORK — Playwright Neil Simon, a master of comedy whose laughfille­d hits such as “The Odd Couple,” “Barefoot in the Park” and his “Brighton Beach” trilogy dominated Broadway for decades, has died. He was 91.

Simon died early Sunday of complicati­ons from pneumonia at New York Presbyteri­an Hospital in Manhattan, said Bill Evans, a longtime friend and spokesman for Shubert Organizati­on theaters.

In the second half of the 20th century, Simon was the American theater’s most successful and prolific playwright, often chroniclin­g middle class issues and fears. Starting with “Come Blow Your Horn” in 1961 and continuing into the next century, he rarely stopped working on a new play or musical. His list of credits is staggering.

The theater world quickly mourned his death, including Tony Award-winning actor and playwright Harvey Fierstein, who tweeted that Simon “could write a joke that would make you laugh, define the character, the situation, and even the world’s problems.”

Matthew Broderick, who in 1983 made his Broadway debut in Simon’s “Brighton Beach Memoirs” and his movie debut in Simon’s “Max Dugan Returns,” added: “I owe him a career. The theater has lost a brilliantl­y funny, unthinkabl­y wonderful writer. And even after all this time, I feel I have lost a mentor, a father figure, a deep influence in my life and work.”

For seven months in 1967, he had four production­s running at the same time on Broadway: “Barefoot in the Park,” “The Odd Couple,” ”Sweet Charity,” and “The Star-Spangled Girl.”

Even before he launched his theater career, he made history as one of the famed stable of writers for comedian Sid Caesar that also included Woody Allen, Mel Brooks and Carl Reiner.

Simon was the recipient of four Tony Awards, the Pulitzer Prize, the Kennedy Center honors (1995), four Writers Guild of America Awards and an American Comedy Awards Lifetime Achievemen­t honor. In 1983, he had a Broadway theater named after him when the Alvin was rechristen­ed the Neil Simon Theatre.

In 2006, he won the Mark Twain Prize for American Humor, which honors work that draws from the American experience. The previous year had seen a popular revival of “The Odd Couple,” reuniting Nathan Lane and Matthew Broderick after their enormous success in “The Producers” several years earlier.

In a 1997 interview with The Washington Post, Simon reflected on his success: “I know that I have reached the pinnacle of rewards. There’s no more money anyone can pay me that I need. There are no awards they can give me that I haven’t won. I have no reason to write another play except that I am alive and I like to do it,” he said.

Simon had a rare stumble in the fall of 2009, when a Broadway revival of his “Brighton Beach Memoirs” closed abruptly after only nine performanc­es because of poor ticket sales. It was to have run in repertory with Simon’s “Broadway Bound,” which was also canceled.

The bespectacl­ed, mild-looking Simon (described in a New York Times magazine profile as looking like an accountant or librarian who dressed “just this side of drab”) was a relentless writer — and rewriter.

“I am most alive and most fulfilled sitting alone in a room, hoping that those words forming on the paper in the SmithCoron­a will be the first perfect play ever written in a single draft,” Simon wrote in the introducti­on to one of the many anthologie­s of his plays.

He was a meticulous joke smith, peppering his plays, especially the early ones, with comic one-liners and humorous situations that critics said sometimes came at the expense of character and believabil­ity.

“I don’t write social and political plays because I’ve always thought the family was the microcosm of what goes on in the world,” he said in 1992.

Simon received his first Tony Award in 1965 as best author — a category now discontinu­ed — for “The Odd Couple,” although the comedy lost the best-play prize to Frank D. Gilroy’s “The Subject Was Roses.” He won a best-play Tony 20 years later for “Biloxi Blues.” In 1991, “Lost in Yonkers” received both the Tony and the Pulitzer Prize. And there was a special achievemen­t Tony, too, in 1975.

Simon was born Marvin Neil Simon in New York and was raised in the Bronx and Washington Heights. He was a Depression-era child, his father, Irving, a garmentind­ustry salesman. He was raised mostly by his strong-willed mother, Mamie, and mentored by his older brother, Danny, who nicknamed his younger sibling, Doc.

Simon attended New York University and the University of Colorado. After serving in the military in 1945 and 1946, he began writing with his brother for radio in 1948, and then for television, a period in their lives chronicled in Simon’s 1993 play, “Laughter on the 23rd Floor.”

The brothers wrote for such classic 1950s television series as “Your Show of Shows,” 90 minutes of live, original comedy starring Caesar and Imogene Coca, and later for “The Phil Silvers Show,” in which the popular comedian portrayed the conniving Army Sgt. Ernie Bilko.

 ?? AP FILE PHOTO BY GARY STUART ?? American playwright Neil Simon answers questions during a 1994 interview in Seattle, Wash.
AP FILE PHOTO BY GARY STUART American playwright Neil Simon answers questions during a 1994 interview in Seattle, Wash.

Newspapers in English

Newspapers from United States