Chattanooga Times Free Press

Comedy masters play it straight

- BY ROBERT ITO

MALIBU, Calif. — During their lengthy runs on “Saturday Night Live,” Maya Rudolph and Fred Armisen created some of the sketch comedy show’s most outrageous characters.

Rudolph’s more memorable impersonat­ions included a (very) platinum blonde Donatella Versace mangling the English language, Maya Angelou pranking Cornel West, and Oprah Winfrey making sweet, sweet love to a loaf of French bread. Armisen, meanwhile, performed comically lousy renditions of Hanukkah tunes; gave unwelcome sex advice, as Queen Elizabeth II, to Kate Middleton; and played hot potato with the decapitate­d head of a prep schoolboy. The two also performed together in several recurring sketches, channeling Beyoncé and Prince, Barack and Michelle Obama and the linguistic­ally challenged art dealers Nuni and Nuni Schoener.

Now, more than a decade after Rudolph left the show and five years since Armisen’s departure, they are back together in the new Amazon comedy “Forever.” But this time, they are playing a relatively normal married couple who argue about fork tines.

Their new show, which debuts Sept. 14 and is written and produced by Emmy-winning writers Alan Yang (“Master of None”) and Matt Hubbard (“30 Rock”), signals a big leap from the pair’s sketch-comedy roots. Instead of playing a multitude of outlandish characters on a series with no discernibl­e end (“SNL” is entering its 44th season), the two play a single character each in a comedy capped at eight episodes.

“Alan said it was the first time he did a show that had an ending, where he knew where it was going,” Rudolph said. “That was a huge light bulb for Fred and myself. We both said, ‘Yes, that’s what we want.’”

The show began coming together in March 2017, when Armisen and Rudolph approached Yang about creating a series for them. Armisen was wrapping up his sketch series “Portlandia” after eight seasons; Rudolph was coming off her shortlived variety series with Martin Short, “Maya & Marty.” And they had always shared a desire to do another show together. “I remember Fred reminding me, weren’t we going to do a show where we played monsters or something?” Rudolph said.

Yang immediatel­y contacted Hubbard, whom he had worked with on “Parks and Recreation.” The two began brainstorm­ing ideas and presented the actors with several pitches, between “five or so” (Armisen’s estimate) and “a million” (Rudolph’s count). Maybe Maya and Fred could be friends, they thought, or they could be dating, or they could be brother and sister?

“There was one that had them running a preschool for rich people in Silver Lake,” Hubbard recalled. “I think I pitched a show where they were leaders of a cult.”

“That was actually one of the better ideas,” Yang said.

In the winning scenario, Armisen is Oscar, a dentist in Riverside, California, Yang’s hometown. June, Rudolph’s character, works at a shady timeshare company when she isn’t chickening out of trying to find something better. “I think we thought it would be fun to take two people who are unbelievab­ly good at playing anybody, and have them play a relatively normcore couple in Riverside,” Hubbard said.

But despite their satisfying if somewhat predictabl­e existence in a sleepy suburban Southern California town, June and Oscar find themselves dealing with improbable tragedies, energy-giving fountains and a mysterious briefcase-wielding weirdo.

The two were drawn to the series’ unusual story arc, which includes a series of life-changing moments early into the eight-episode run, and the chance to play a pair of characters who grow and change over time. “It’s really about the relationsh­ip,” Rudolph said. “They’re happy, and from the outside, I think everyone sees a loving relationsh­ip. But with June, she’s always wondering, what else is out there.”

Catherine Keener, who plays Kase, a free spirit who comes between the two, worked with Rudolph in the 2017 film “We Don’t Belong Here” but had never worked with Armisen before. “Individual­ly they’re both brilliant, but they’re another thing when they’re together,” she said. “You can almost see it, this thing, like they’re in this little pocket together. Everyone would stand around and just watch them.”

The series has offered both Rudolph and Armisen a chance to bust out of the sketch-comedy bubble. “I never thought when I started out that being in comedy would mean being limited to comedy,” she said. “But very quickly, when you demonstrat­e you can be funny, people label you as a comedian, and they don’t like it when you go outside of that box.”

The plotline of the series also allowed everyone involved to get outside for a change. On a chilly afternoon in March, Rudolph was at the Leo Carrillo State Beach filming the final episode of the series. Over the course of the day, the actress flew a kite with Julia Ormond, jumped in and out of the Pacific and ran back and forth along the beach in front of Armisen. “He was off camera, and he was laughing so hard, because I don’t think he’s ever seen me run before,” Rudolph said.

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