Chattanooga Times Free Press

PBS offers up four hours of ‘City Hall’

- BY KEVIN MCDONOUGH Contact Kevin McDonough at kevin .tvguy@gmail.com.

If people still went to the office, this would be the time they would extend their Christmas vacation by a day or two. One gets the sense that CBS has already closed up shop. Why else broadcast “The Price Is Right at Night” (8 p.m., TV-PG) or “Let’s Make a Deal Primetime” (9 p.m., TV-PG)? Deck the (Monty) Halls with boughs of holly.

In contrast, PBS uses the slow holiday countdown to broadcast one of its most ambitious projects. Or at least the longest.

Director Frederick Wiseman’s 45th film, “City Hall” (8 p.m., TV-PG, check local listings), looks at the inner workings of Boston’s City Hall. This is not a political expose, but a celebratio­n of civic life at its most basic and essential. It celebrates the people, the managers, clerks and committees who serve the public, providing sanitation work, veterans affairs, elder support, parks, licensing bureaus, record-keeping, you name it.

Wiseman has made a career with long takes on public servants and the inner workings of legendary institutio­ns. He’s made movies about the Idaho Legislatur­e (“State Legislatur­e,” 2007); the peculiarit­ies of New England life (“Belfast, Maine,” 1999), the bustling diversity of a New York City neighborho­od (“In Jackson Heights,” 2015), the office politics behind the Dallas headquarte­rs of Neiman-Marcus (“The Store,” 1983) and many others.

Wiseman has been making his fly-on-the-wall documentar­ies for more than a half-century. His 1968 film “High School” explored students, cliques and class at a Philadelph­ia school. His 1967 documentar­y “Titicut Follies” exposed life and conditions at Bridgewate­r State Hospital for the criminally insane in Massachuse­tts. While the film received internatio­nal acclaim, it was banned for years in this country over concerns that patients’ privacy rights had been exploited.

Wiseman’s films are not for everyone and are difficult to watch in one sitting. “City Hall” runs nearly four hours. In “The Store” we’re allowed to eavesdrop on committee meetings, sales calls and Christmas parties. In his 2014 epic “National Gallery,” about London’s esteemed museum, we see the inner workings of a cultural institutio­n right down to the buffing of the floors and the repainting of walls. To call his film immersive is an understate­ment.

Many of Wiseman’s documentar­ies are available via Kanopy, the streaming service provided by many library systems. Among the films found there is “Ex Libris,” his 2017 celebratio­n of the New York Public Library.

An explorer of institutio­ns at the heart of our public lives, Wiseman has become a kind of institutio­n himself. A recent profile in The New York Times ponders his 50-plus years of detail-heavy storytelli­ng and wonders if he hasn’t transcende­d the film genre entirely. The piece was headlined, “What If the Great American Novelist Doesn’t Write Novels?”

OTHER HIGHLIGHTS

› Chairs swivel under mistletoe as coaches past and present belt out carols and seasonal favorites on “The Voice Holiday Celebratio­n” (8 p.m., NBC, repeat, TV-PG).

› Tayshia reveals her choice on the season finale of “The Bacheloret­te” (8 p.m., ABC, TV-PG).

› The truth sets “Swamp Thing” (8 p.m., CW, TV-14) free in time for the season finale.

› A foster child is invited to spend the holidays with a biological family she never knew existed in the 2020 holiday drama “First Christmas” (9 p.m., OWN, TV-PG).

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