Chattanooga Times Free Press

With ‘Mank’ and ‘The Crown,’ Netflix dominates Golden Globe nomination­s

- BY JAKE COYLE

NEW YORK — After a year where the pandemic nearly emptied movie theaters, Netflix dominated nomination­s to the 78th Golden Globe Awards on Wednesday, with David Fincher’s “Mank” leading film nominees with six nods and “The Crown” topping all television series.

The Globes, delayed about two months due to the coronaviru­s, tried to muster some of the awards’ usual buzz on Wednesday in a largely virtual awards season bereft the kind of red-carpet glamour the Globes annually feast on. And perhaps to account for the otherwise lack of it, the Hollywood Foreign Press Associatio­n heaped nomination­s on two lavish period pieces rich in royalty — both the Hollywood variety (the black-andwhite “Mank” dramatizes the making of “Citizen Kane”) and the British kind.

“Mank,” about “Citizen Kane” co-writer Herman Mankiewicz, landed nomination­s for best film, drama; best actor for Gary Oldman; best director for Fincher, best supporting actress for Amanda Seyfried; best score; and best screenplay for Jack Fincher, the director’s father who penned the script before dying in 2003.

“Sometimes you just have to think, what does it mean in the whole big scheme of things with this worldwide, global thing going on,” Oldman said from London. “But you know, we want to kind of get back to some kind of normalcy. Life goes on.”

Netflix, which topped all studios at the Globes last year, too, led with a commanding 42 nomination­s, with 22 coming in film categories and 20 in television. No other studio was close.

The day belonged to the streaming services. Disney+ (“The Mandaloria­n”) and HBO Max (“The Flight Attendant”) both notched their first Golden Globe nomination­s. Amazon, with Regina King’s “One Night in Miami,” about a meeting of four Black icons in 1964, and Steve McQueen’s film anthology “Small Axe,” landed 10 total nomination­s — a total matched by the Disney-owned Hulu, including nods for the Catherine the Great series “The Great,” with Elle Fanning, and the Andy Samberg time-warp comedy “Palm Springs.” Apple TV+, too, scored several nods including the Jason Sudeikis series “Ted Lasso,” the Irish animated film “Wolfwalker­s” and Bill Murray’s performanc­e in Sophia Coppola’s father-daughter comedy “On the Rocks.”

“The Crown” landed six nomination­s including best series, drama, and acting nods for Olivia Colman and Josh O’Connor. The final season of “Schitt’s Creek” trailed with five nomination­s, while Netflix’s “Ozark” (four nods) and “The Queen’s Gambit” (two nods) also added to the streamer’s totals. (“Queens Gambit” star Anya Taylor-Joy was nominated for both the hit show and for the Jane Austen adaptation “Emma.”)

Aaron Sorkin’s “The Trial of the Chicago 7” — also a Netflix release, about the countercul­tural clash and subsequent trial following the 1968 Democratic National Convention — came in second among movies with five nomination­s, including nods for best film, drama; best director and best screenplay for Sorkin; supporting actor for Sacha Baron Cohen; and best song.

“On the one hand, it is strange to be celebratin­g when so many people are suffering but on the other hand, at least for movie lovers, the Golden Globes are a fun thing,” said Sorkin by phone. “It’ll be a weird ceremony this year. … Who knows what it’s going to look like.”

The other nominees for best film in the drama category were Chloe Zhao’s itinerant drama “Nomadland,” Emerald Fennell’s “Promising Young Woman” and Florian Zeller’s dementia drama “The Father.”

Netflix doesn’t report box office figures and both “Nomadland” and “The Father” are yet to open beyond a qualifying run in theaters. So the category’s total box office — a historic low of about $265,000 — is due entirely to “Promising Young Woman,” Fennell’s acclaimed #MeToo revenge drama.

“It’s an opportunit­y to shine a light on some smaller movies,” said Riz Ahmed, nominated for his performanc­e as a heavy metal drummer losing his hearing in “Sound of Metal.” “You can always find the opportunit­y in the obstacle.”

A year after fielding no female nominees for best director — or a best film nomination for any movie directed by a woman — the HFPA nominated more female filmmakers than it ever has before. King, Zhao and Fennell were nominated for best director, alongside Sorkin and Fincher. Zhao is the first woman of Asian descent nominated for best director.

“I’m very proud and I love their movies,” said Zhao by Zoom on Wednesday, referring to King and Fennell’s films. “It’s a really exciting time.”

By splitting up films between drama and comedy or musical, the Globes gave a boost to an awards season wildcard, “Borat Subsequent Moviefilm.” Baron Cohen’s “Borat” sequel — one of the few nominees partially shot during the pandemic — was nominated for best picture, comedy or musical, best actor in a comedy for Baron Cohen and best supporting actress for Maria Bakalova.

Celebratin­g the nomination­s for both “Borat” and “The Trial of the Chicago 7,” Baron Cohen said in a statement: “These two films are different, but they share a common theme — sometimes we have to protest injustice with our own farce.”

Should neither win, he said, “I promise to hire Rudy Giuliani to contest the results.”

Also nominated for best picture in the comedy or musical category were: “Palm Springs,” “The Prom,” “Music” and “Hamilton.” The film version of Lin-Manuel Miranda’s Broadway musical isn’t eligible for the Academy Awards but was for the Globes, which also nominated Miranda’s performanc­e.

 ?? NIKO TAVERNISE/NETFLIX VIA AP ?? Sacha Baron Cohen, center left, and Jeremy Strong act in a scene from “The Trial of the Chicago 7.”
NIKO TAVERNISE/NETFLIX VIA AP Sacha Baron Cohen, center left, and Jeremy Strong act in a scene from “The Trial of the Chicago 7.”

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