Chicago Sun-Times (Sunday)

Sun-Times photograph­er proud to work on Mirage tavern investigat­ion

- BY MAUREEN O’DONNELL, STAFF REPORTER modonnell@suntimes.com | @suntimesob­its

Gene Pesek viewed the world as if he were a camera.

“I see photograph­y no matter where I am,” he once said in an interview with videograph­er Jim Quattrocki, whose career Mr. Pesek helped inspire by giving him a camera when he was 6. “I see pictures. I can be driving on [the] Dan Ryan and looking straight ahead, and I’ll see a picture.”

Mr. Pesek chronicled the beautiful and the bestial in a nearly 40year career as a Chicago Sun-Times photograph­er. Some days, he’d be assigned to shoot movie stars or spring flowers. Other times, he shot crime scenes, plane crashes and political convention­s.

He died May 16 at the Matteson home of his daughter Debra Wallace. He was 95.

“He could do anything,” said Richard Cahan, an author and former Sun-Times picture editor who worked with him.

His work was shown at the Art Institute of Chicago.

“He was very meticulous in his craft and the way he lit things,” said former Sun-Times photograph­er Bob Black. “I used to ask him, ‘How’d you do that?’ He was a master.”

To capture a memorable moment, Mr. Pesek might go up in a helicopter with the doors wide open. Or he’d board an amusementp­ark ride — and ride it backward to capture the look on the faces of those behind him.

One of Mr. Pesek’s proudest achievemen­ts was working on a blockbuste­r investigat­ion in the late 1970s involving a team of reporters from the Sun-Times and the Better Government Associatio­n that he couldn’t talk about while he was working on it. He and fellow photograph­er Jim Frost shot undercover photos capturing shakedowns for bribes at the Mirage tavern, a dive bar at 731 N. Wells St., that the SunTimes bought to catch and expose corruption.

The resulting stories by SunTimes reporters Zay N. Smith and Pam Zekman exposed kickbacks, tax fraud and government inspectors who ignored problems in exchange for a cash-filled envelope left atop the bar.

“It was such an incredible story,” Mr. Pesek told Quattrocki. “They said, ‘We have a special assignment for you. You can take it, it may be dangerous, we don’t know. But if you don’t want it, we’re not gonna tell you about it. If we tell you about it, you gotta take it.’ So I says, ‘Well, you know, it sounds good.’ I said: I’ll try.”

Working on the Mirage investigat­ion, he and Frost pretended to be repairmen in an effort to avoid suspicion. They’d hide their cameras in their toolkits.

“He would put on overalls and a flannel shirt” to work at the Mirage, according to his daughter Pamela Tietz.

Frost said he cut a hole in a wall and covered it with a vent in order for him and Mr. Pesek to secretly shoot photos.

“I took it home, and I beat it all up because it was not a pretty place,” Frost said, “and a shiny vent would have been out of place.”

He said he and Mr. Pesek understood how important it was for them to document the corruption.

“The whole thing was hanging on me and Gene in a big way,” Frost said.

“The fact that Gene and Jim actually had pictures of fire inspectors taking a bribe and had photos of what was going on made the series three-dimensiona­l,” Cahan said. “It was the key to the whole series.”

Young Gene grew up near 70th Street and South Lawndale Avenue. His father was an architect, which influenced his way of seeing the world’s lines and patterns, he said in the interview. For his graduation from Davis grade school, his dad gave him a gift: a box camera.

He went to Kelly High School, where he met Dolores “Duckie” Cook, who would become his wife of 61 years.

When he tried out for the football team at Kelly, his daughter said, “The coach told my dad he’d be much better off in the Camera Club.”

During World War II, he served in the Army Air Forces in Hawaii, according to his family.

Working for the Sun-Times in an age long before GPS and stepby-step directions on smartphone­s, Mr. Pesek had a knack for getting around quickly, Cahan said.

“He knew the city inside and out,” he said. “You had to know the fastest way to events.”

Mr. Pesek often shot cover photos for Midwest, the newspaper’s old Sunday magazine.

For Mr. Pesek, photograph­ing celebritie­s was just part of the job. Not that he always knew who it was he was making pictures of. Once, he told his daughters he was going to be shooting a band named Twigs, or maybe it was Branches.

“It was Styx,” Tietz said.

Mr. Pesek retired in 1991 after more than 38 years at the Sun-Times, save for a brief period when he left to operate his own photo studio.

Mr. Pesek and his wife volunteere­d at the Animal Welfare League in Chicago Ridge, and they ended up taking in dogs at least five times, according to their daughter Sandra Vail.

Rocky the beagle was his special dog, though.

“If my dad had coffee cake,” Tietz said, “Rocky had coffee cake.”

Once, he and his wife rescued a sparrow that had fallen from a nest. They fed it with an eyedropper. When they tried to set it free, it kept flying back to them. So they kept it and named it Chicken. The bird lived for five years and would perch on Dolores Pesek’s shoulder while she cooked dinner.

They enjoyed relaxing together. “They’d sit outside and drink Hilty Diltys,” a cocktail, their former neighbor Rosemary Quattrocki said.

Mr. Pesek’s wife died in 2010. In addition to his daughters Debra, Sandra and Pamela, he is survived by eight grandchild­ren and six great-grandchild­ren.

Mr. Pesek preferred to write notes on paper plates rather than on paper. So, at his funeral service on Tuesday, his daughters placed paper plates in his casket bearing messages they’d written, saying they loved him.

 ?? SUN-TIMES FILE ?? Using an automatic shutter release on another camera, Sun-Times photograph­ers Gene Pesek (right) and Jim Frost photograph­ed themselves in the hideaway they worked undercover from at the Mirage tavern.
SUN-TIMES FILE Using an automatic shutter release on another camera, Sun-Times photograph­ers Gene Pesek (right) and Jim Frost photograph­ed themselves in the hideaway they worked undercover from at the Mirage tavern.
 ?? ?? Gene Pesek made this image as Abbie Hoffman left federal court in Chicago on Sept. 18, 1968, after he and other protest leaders who came to Chicago for the 1968 Democratic National Convention were charged with conspiracy and inciting a riot.
Gene Pesek made this image as Abbie Hoffman left federal court in Chicago on Sept. 18, 1968, after he and other protest leaders who came to Chicago for the 1968 Democratic National Convention were charged with conspiracy and inciting a riot.
 ?? ?? Gene Pesek captured gospel legend Mahalia Jackson shopping at the old Goldblatt’s department store on State Street.
Gene Pesek captured gospel legend Mahalia Jackson shopping at the old Goldblatt’s department store on State Street.
 ?? GENE PESEK/SUN-TIMES ?? Muhammad Ali before a Nation of Islam convention at the old Chicago Coliseum in February 1966.
GENE PESEK/SUN-TIMES Muhammad Ali before a Nation of Islam convention at the old Chicago Coliseum in February 1966.
 ?? ??
 ?? ?? Gene Pesek captured the moment (left) the Beatles arrived on the field at Comiskey Park before their performanc­e on Aug. 20, 1965, and the screaming adulation of young fans (above) at the show.
Gene Pesek captured the moment (left) the Beatles arrived on the field at Comiskey Park before their performanc­e on Aug. 20, 1965, and the screaming adulation of young fans (above) at the show.
 ?? GENE PESEK/SUN-TIMES ?? High schooler and future Bears linebacker Dick Butkus with his mother Emma and father John at their home at 10324 S. Lowe Ave. in 1959.
GENE PESEK/SUN-TIMES High schooler and future Bears linebacker Dick Butkus with his mother Emma and father John at their home at 10324 S. Lowe Ave. in 1959.

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