Chicago Sun-Times (Sunday)

How to Break into Advertisin­g

-

What’s the most important qualificat­ion advertisin­g agencies look for in young candidates, whether their interests lean toward the creative profession­s, account management or media buying? Industry experts say it’s all about having the right instincts (and preferably some training) about how to deliver a crafted message to a targeted audience in the complex universe of advertisin­g media. Here’s a look at the industry landscape.

Advertisin­g Talent Is in Demand

Even given the daunting challenges posed by the advertisin­g industry in the 2000s, this is a good time to launch a career.

“Sixty percent of our May [2006] grads have jobs at the best agencies in the country,” says Ashley Sommardahl, assistant director of the Virginia Commonweal­th University Adcenter, which offers a master’s program in communicat­ions. “A couple of years ago, it was the opposite; it was so hard to get your foot in the door.”

That’s not to say new talent is in short supply. “We’re not having any difficulty getting good, bright young people,” says Michael Donahue, executive vice president of the American Associatio­n of Advertisin­g Agencies in New York City.

Interactiv­e and Multiplatf­orm Campaigns Are Where the Action Is

More than ever, today’s advertisin­g pros must bring a broad intelligen­ce to their work. Graphic designers can’t retreat into occupation­al silos. “In a creative, you’re looking for a glimmer of talent that can be applied to anything,” says Donahue.

“We’re looking for people with interests in music, new media, gaming, fashion and an intellectu­al curiosity in trends and teen culture,” says Mary Weber, director of talent resources at Fallon Worldwide, a 500-employee Minneapoli­sbased ad agency specializi­ng in branding. “We want someone with a global view, not US-centric.”

Print and television aren’t dead; they’re simply not as sexy as new media. “There is a huge opportunit­y for people now in interactiv­e,” says Sommardahl. “Students have to consider every single angle, including interactiv­e games and product placements.”

“You have to become a little platform-neutral,” says Jim Tobin, a partner at Brogan & Partners Convergenc­e Marketing in Raleigh, North Carolina. “You need to know how to write for multiple media; you can’t put long copy on Web sites, for example.”

“Historical­ly, ad people haven’t been numbers people,” Tobin adds. “But the numbers are becoming more and more important. You have to figure out where your target audiences are” and how to reach them with an arsenal of advertisin­g media.

Diverse Ad Talent for Multicultu­ral Markets

The need to address ever-more diverse audiences also is affecting how agencies hire. “Our multicultu­ral advertisin­g intern program brings bright kids of color into agencies in their junior year,” says Donahue. In the last year, the program placed 105 interns in 30 agencies.

But it’s not like agencies typically discrimina­te when handing out accounts that involve multicultu­ral markets. “You don’t necessaril­y have to be in Miami 24/7 to understand their Latin culture,” says Weber.

Ad Pros Pay Varies

Salaries for advertisin­g agency profession­als range widely by thousands, even tens of thousands of dollars, depending on factors such as the size and prestige of the agency and the chief markets in which it does business.

For example, senior designers earn a median salary of $65,000 a year, according to AIGA/ Aquent’s “2010 Survey of Design Salaries.” Going down the corporate ladder a bit, median salary for entry-level designers is reported to be $37,500. These medians also vary by region, with the median salary for an entry-level designer in San Francisco, for example, hitting $42,000.

 ?? ??

Newspapers in English

Newspapers from United States