Chicago Sun-Times

Celebrated film director satirized ordinary life in Russia for decades

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MOSCOW — Eldar Ryazanov, a filmmaker who satirized and romanticiz­ed the life of ordinary Russians in his immensely popular comedies for almost six decades, died on Monday. He was 88.

His death in a Moscow hospital, due to what family members said was heart failure, was met with a deep sense of loss in Russia. President Vladimir Putin mourned him as a “real master and creator” whose films have become “true classics of Russian cinema and part of our national heritage, part of the history of our country.”

Mr. Ryazanov was a household name in Russia, and his films are arguably the most recognizab­le titles in Soviet popular culture.

His films ridiculed Soviet bureaucrac­y and lifestyle, but the lightness of his satires helped him dodge communist censorship. Only one of his works was banned by Soviet censors: the 1961 comedy “A Man From Nowhere” about a noble savage from an imaginary primitive tribe who visits the Soviet Union and is amused and shocked by its people and customs.

Once compared to U.S. director Billy Wilder for his diversity and longevity, Mr. Ryazanov directed almost 30 films, most of which became box-office hits and spawned countless Russian catchphras­es and popular jokes.

Years after the 1991 Soviet collapse, he acknowledg­ed that fear of the Soviet government had dominated his life. “Every time I worked [on a film], I had to force a slave out of myself and overcome my fear of Soviet authoritie­s,” Mr. Ryazanov told the Narodnaya Gazeta daily in 2008.

His most popular film, the 1975 comedy “The Irony of Fate,” mocked what Communist ideologues hailed as the pinnacle of a planned economy — the clusters of identical apartment buildings on streets with identical names in cities around the country.

It follows a dead-drunk surgeon who gets on a plane on New Year’s Eve to what was then Leningrad and makes his way into an apartment whose address, door locks and even furniture are identical to his brand-new residence in Moscow. The real owner is a fair-haired, blueeyed schoolteac­her engaged to a dull bureaucrat­ic type. She finds the hung-over intruder on her sofa and helps him realize he is hundreds of miles away from his home.

The showing of the film on national television channels on New Year’s Eve has become as big a part of the celebratio­ns as the champagne flutes and Russian salad on family tables.

Mr. Ryazanov was born in 1927 in Samara into the family of a Soviet economist who was imprisoned during the Stalinist purges of the 1930s. He gained immediate popularity in 1953 with his first feature film, “Carnival Night.” His films after the Soviet collapse were far less successful and brought mixed reviews.

 ?? KIRILL KUDRYAVTSE­V/AFP/GETTY IMAGES ?? Eldar Ryazanov’s films ridiculed Soviet bureaucrac­y and lifestyle, but the lightness of his satires helped him dodge censorship.
KIRILL KUDRYAVTSE­V/AFP/GETTY IMAGES Eldar Ryazanov’s films ridiculed Soviet bureaucrac­y and lifestyle, but the lightness of his satires helped him dodge censorship.

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