BUS STOP EXHIBITS
If you’re catching a Loop Link ride, enjoy the view: Shelters are now displaying works by two artists
Chicago’s new Loop Link bus stops are getting a bit more interesting, thanks to public artwork being built into each stop.
CTA stops “are more than just places to catch the train, they’re community stations,” said Mayor Rahm Emanuel. “They should reflect the community.”
Just as with CTA bus, subway and L stops throughout the city, Emanuel wanted to commission artwork for the new Loop Link shelters.
The Department of Cultural Affairs began its search last summer.
“Originally, I wanted sculptures,” Emanuel said, but the department suggested the station’s glass panels contain the artwork.
Two artists were chosen: Paola Cabal and Christine Tarkowski, said Nathan Mason, curator of exhibits and public art for the department.
Cabal’s series of glass panels is featured at the four Link stops along Washington Street. Tarkowski’s will be featured at the four stops along Madison Street.
Installation of Cabal’s artwork began last week, said Miguel Lagos, a contractor with Arlington Glass & Mirrors, while the Tarkowski panels were being put in starting Wednesday.
Cabal’s vision was a series of time-lapse photographs specific to each location. Small, square photos placed inside the glass are designed to match up to architecture across the street from each stop.
One of the stations which features Cabal’s work is across Washington from Daley Plaza. But the placement of that particular shelter blocks the view of the Joan Miro sculpture on the south side of the street.
It couldn’t be avoided, said Department of Transportation project manager Charlene Walsh; traffic flow patterns demanded the Loop Link shelter be built in that spot.
Along Madison, Tarkowski’s series of panels are designed as moire patterns. Moires are lines that criss-cross in a way that “conveys a sense of motion,” Tarkowski said.
“There’s an inherent property of movement and motion” in the context of public transportation, Tarkowski said. Her moire patterns “represent the idea that the city is a place that’s always moving in time, geography and people.”