Chicago Sun-Times

GENERATION­S BOND AROUND TELENOVELA­S

Predictabl­e melodramat­ic plots are only part of the enduring appeal Mary Siddall has no doubts about her first memorable telenovela: Cuna de Lobos — with the evil Catalina Creel as its incomparab­le antagonist. Siddall was just a tween then, but like many

- Roxana A. Soto USA TODAY Hispanic Living magazine

“They’re destined to be together, but first they have to go through the crazy.” Vivian Llodra, describing telenovela plots

“It wasn’t only about watching television, but rather the bonding that occurred with my grandmothe­r,” says the 42- year- old Denver resident, who was 7 or 8 years old when she started watching ’ novelas. “Everything would stop at 8 p. m. We’d sit to watch the ’ novela while we ate.”

Telenovela­s — serialized melodramas broadcast in daily installmen­ts — have kept Spanish- speaking viewers glued to the edge of their seats with overly dramatic love stories for more than six decades. And while their American counterpar­ts have seen a major decline in viewership with the cancellati­on of many long- running dramas — including Guiding Light, which ran for 57 years — telenovela­s have maintained a following, with some even re- created for American audiences.

The co- viewing appeal and viewers’ connection to the beloved celebritie­s who bring the stories to life are reasons for the genre’s success, says Adrian Santucho, executive vice president of Univision Studios. “There’s also the hook, the payoff, the life lessons learned for all characters — especially the evil ones that repent — and the happy endings.”

Like Siddall, New York City resident Vivian Llodra, 46, who has been tuning into telenovela­s for 20 years, remembers watching the soap operas with her Cuban elders. With about 100 episodes per series, their binge- watching appeal — requiring less of a commitment than some decades- long American soaps — is part of their success, says Llodra, who compares telenovela­s to reality series. She describes them as “escape TV,” drawing in viewers who can step away from daily demands for an hour or two and get caught up in the over- the- top romances.

“It’s a simple story,” Llodra says, summing up most telenovela­s. “Boy meets girl; girl meets boy. They’re destined to be together, but first they have to go through the crazy.” That drama can include anything from a disguised twin trying to ruin the romance to a school shooting. “Then it all works out, and they live happily ever after.”

However, telenovela­s are no longer just stories of star- crossed lovers who overcome odds to find happiness. From recent hits such as Telemundo’s “narconovel­a” La Reina del Sur to such current series as Univision’s La Doble Vida de Estela Carrillo, the telenovela­s of Siddall’s and Llodra’s childhoods have changed.

Today’s series are more in tune with realities such as racism and illegal immigratio­n. Estela Carrillo, for example, follows an undocument­ed single mom in California. In the first episode, she must decide between helping authoritie­s solve a crime and alerting them to her status. Despite that progress, Llodra points out that LGBTQ story lines are missing from telenovela­s, and darker- skinned Latinos often are stereotypi­cally cast in servitude roles.

Carolina Acosta- Alzuru, a communicat­ions professor at the University of Georgia who has studied telenovela­s for two decades, says the story lines have to become more contempora­ry so that viewers, young and old, can find them more relatable. “These days we like things that have elements of realism,” she says.

That’s where the universal language of love comes in, Llodra says. “Family getting in the way of love or jealousy getting in the way of love … that’s all relatable,” she explains.

The entertainm­ent value helps sustain the genre, but the family ties keep fans coming back.

“( Telenovela­s bridge) the gap sometimes and keep us from feeling isolated ( from our homeland). It’s just a nice way to keep in touch,” says Llodra, who credits her mother and aunts for introducin­g her to the genre back when there was only one TV in the home. “It’s nostalgia. It’s something you grow up doing,” she says. “It brings you warm memories.”

 ?? IMAGEZOO, GETTY IMAGES/ ISTOCKPHOT­O ?? A forbidden romance often is at the center of telenovela story lines.
IMAGEZOO, GETTY IMAGES/ ISTOCKPHOT­O A forbidden romance often is at the center of telenovela story lines.
 ?? TELEVISA UNIVISION ?? Jose Ron stars as Ramon and Esmeralda Pimentel is Fabiola in Enamorando­me de Ramon ( Falling in Love With Ramon)..
TELEVISA UNIVISION Jose Ron stars as Ramon and Esmeralda Pimentel is Fabiola in Enamorando­me de Ramon ( Falling in Love With Ramon)..
 ?? TELEMUNDO ?? Rafael Amaya stars in Telemundo’s El Senor de Los Cielos.
TELEMUNDO Rafael Amaya stars in Telemundo’s El Senor de Los Cielos.

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