Yale professor inspired designer of VietnamWall
AP NationalWriter
NEW YORK — Yale University scholar Vincent Scully, a revered architecture historian and professor who inspired generations of students ranging from David McCullough to Maya Lin, has died at age 97.
Mr. Scully died Nov. 30 at his home in Lynchburg, Virginia, the school announced. He had been suffering from Parkinson’s disease.
A native of New Haven, Connecticut, the home of Yale, Mr. Scully was a Yale undergraduate who joined the faculty in 1947 and remained for more than 60 years. He was known for his innovative ideas and compelling style as a lecturer, attracting stand- room- only audiences and often receiving ovations when he finished.
Attuned to architecture’s place in the larger culture, Mr. Scully was a critic of urban renewal in the 1960s and ’ 70s and became a leading advocate of historical preservation. He also reversed his early support for the Modernist style, telling the Yale Bulletin & Calendar in 2004 that Modernism “was a simplistic view of architecture. It was predicated on an arbitrary aesthetic. It was totalitarian in its mode of thinking. Everybody had to do things one way.”
Architect Philip Johnson called him “the most influential architecture teacher ever.” McCullough, who attended Yale in the 1950s, would credit Mr. Scully with inspiring his prize- winning book on the Brooklyn Bridge, “The Great Bridge.”
Lin was studying at Yale in the early 1980s when she designed the stark, granite Vietnam Veterans Memorial that was dedicated in Washington in 1982. She was inspired in part by Mr. Scully’s lecture on a World War I memorial by Sir Edwin Lutyens.
“Professor Scully described one’s experience of that piece as a passage or journey through a yawning archway,” she wrote in an essay that appeared in The New York Review of Books in 2000. “As he described it, it resembled a gaping scream; after you passed through, you were left looking out on a simple graveyard with the crosses and tombstones of the French and the English. It was a journey to an awareness of immeasurable loss, with the names of the missing carved on every surface of this immense archway.
“I started writing furiously in Scully’s class. I think he has always been puzzled by my connection to the Lutyens memorial. Formally the two memorials could not be more different. But for me, the experiences of these two memorials describe a similar passage to an awareness about loss.”
Mr. Scully is survived by his third wife, Catherine Lynn; four children from his two previous marriages; five grandchildren; and one great- grandchild.