Chicago Sun-Times

GHOST CLUSTERS

An excess of spirits clutter and complicate the latest ‘ Insidious’ sequel/ prequel/ whatever

- RICHARD ROEPER Follow Richard Roeper on Twitter: @ richardroe­per

The “Insidious” timeline is becoming so murky, even a scary ghost lurking behind a locked door in the basement might give up and say, “Time out! Am I even supposed to be in this particular story? Who am I haunting again, and what’s my motivation?”

And if a ghost might be thinking about ghosting the franchise, imagine how the viewer might feel.

“Insidious: The Last Key” is the fourth film in the franchise, and it takes place mostly in 2010 — but there’s also an extended prologue set in the early 1950s. The third film in the series was titled “Insidious: Chapter 3” ( 2105), but it was actually a prequel to the original “Insidious” ( 2010), which was followed by a chronologi­cal sequel, “Insidious: Chapter 2” ( 2013).

Now comes “The Last Key,” which is a sequel to “Chapter 3” ( 2015) but a direct prequel to the events depicted in the original “Insidious.”

So chronologi­cally speaking, “Chapter 3” is the first chapter, “The Last Key” is the second chapter, “Insidious” is the third chapter and “Insidious: Chapter 2” is the most recent chapter. I think. Thanks to its place on the timeline, “Insidious: The Last Key” can resurrect the spunky, old- timey parapsycho­logist Elise Rainier ( the wonderful Lin Shaye), explore and explain Elise’s severely effed- up childhood, and place her front and center in the movie’s main supernatur­al mystery thriller, which takes place in the creepy- spooky house in Five Keys, N. M., where Elise grew up. ( Pops was a prison guard, and the correction­al facility was literally next door to their house. Fun for the wife and kids!)

In a slow- paced prologue set in 1953, young Elise ( Ava Kolker) sees spectral beings bopping about that creaky, creepy house. ( Probably makes it difficult to concentrat­e on her schoolwork.)

Elise keeps watch over her ( understand­ably) spooked little brother Christian ( Pierce Pope, and yes, a young Pope is playing a Christian). Their mother ( Tessa Ferrer) tells Elise she’s special and should embrace her gifts, but her father ( Josh Stewart) abuses Elise every time she claims to have seen a ghost. He beats Elise mercilessl­y and locks her in the basement, where she makes the acquaintan­ce of multiple ghoulish presences.

Bad stuff happens in that house. Let’s leave it at that and jump to 2010, where Elise ( now played by Shaye) is about 70 and has a business in which she talks to the dead so you don’t have to.

One day, Elise gets a call from a man named Ted Garza ( Kirk Acevedo), who needs her help in ridding his house of demons. But it’s not just any house. It’s the house where Elise grew up. Road trip! Thirty seconds after Elise sets foot in the old house, “The Last Key” telegraphs an upcoming big “twist” with such a heavy- handed touch, this would have to be the first movie- going experience of your life to miss it.

Elise reunites with her now- middle- aged brother ( the usually terrific Bruce Davison, who comes across as if he read only the script pages featuring his character, and couldn’t give a hoot about the bigger picture). She meets his daughters Melissa ( Spencer Locke) and Imogen ( Caitlin Gerard), one of whom has inherited the family knack for seeing ghosts.

Director Adam Robitel knows how to scare us with the classic, sudden- appearance- of- a- scary- thing- accompanie­d- by- a- loud- music- sting trick, which of course has been utilized a thousand times in hundreds of movies. The production elements and special effects are pretty cool, although I’m not sure why our ghostbuste­r heroes eventually find themselves walking knee- deep in fog that looks like it was generated by a dry ice machine purchased from an old Rush tour.

The main problem: too many ghosts in the kitchen. ( And the bedroom. And the basement.) Good ghosts, bad ghosts, ghosts that might not really be ghosts at all — and the supposedly extra- scary ghost/ creature/ demon/ whatever- in- chief, who is never fully explained and isn’t all that terrifying once it shows itself in all its grotesque grotesquer­y.

“The Last Key” isn’t necessaril­y the last chapter in the “Insidious” franchise. You don’t have to possess psychic powers to know that will all depend on the most powerful and often the most unpredicta­ble entity of them all:

Worldwide box office.

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 ??  ?? A ghoul menaces Elise ( Lin Shaye) in “Insidious: The Last Key.” UNIVERSAL PICTURES
A ghoul menaces Elise ( Lin Shaye) in “Insidious: The Last Key.” UNIVERSAL PICTURES
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