Yale prof, influential author disliked ‘Harry Potter’ books, irked by Stephen King award

NEW YORK — Harold Bloom, the eminent critic and Yale professor whose seminal “The Anxiety of Influence” and melancholy regard for literature’s old masters made him a popular author and standard-bearer of Western civilization amid modern trends, died Monday at age 89.

Mr. Bloom’s wife, Jeanne, said that he had been in failing health, although he continued to write books and was teaching as recently as last week. Yale said Mr. Bloom died at a New Haven, Connecticut, hospital.

Mr. Bloom wrote more than 20 books and prided himself on making scholarly topics accessible to the general reader. Although he frequently bemoaned the decline of literary standards, he was as well placed as a contemporary critic could hope to be. He appeared on bestseller lists with such works as “The Western Canon” and “The Book of J,” was a guest on “Good Morning America” and other programs and was a National Book Award finalist and a member of the American Academy of Arts and Letters. A readers’ poll commissioned by the Modern Library ranked “The Western Canon” at No. 58 on a list of the 20th century’s best nonfiction English-language books.

His greatest legacy could well outlive his own name: the title of his breakthrough book, “The Anxiety of Influence.” Mr. Bloom argued that creativity was not a grateful bow to the past, but a Freudian wrestle in which artists denied and distorted their literary ancestors while producing work that revealed an unmistakable debt.

He was referring to poetry in his 1973 publication, but “anxiety of influence” has come to mean how artists of any kind respond to their inspirations. Mr. Bloom’s theory has been endlessly debated, parodied and challenged, including by Mr. Bloom. The book’s title has entered the culture in ways Mr. Bloom likely never imagined or desired, such as The New York Times headline that read “Jay-Z Confronts the Anxiety of Being Influential” or the Canadian rock band that named itself “Anxiety of Influence.”

News of his death received a mixed response from former Yale students. Some praised his extraordinary erudition and ability to recite verse from memory, while others noted allegations of sexual harassment. In 2004, the author Naomi Wolf wrote that he made unwanted advances while she was attending Yale. Mr. Bloom denied the allegations.

The youngest of five children, he was born in 1930 in New York’s East Bronx to Orthodox Jewish immigrants from Russia, neither of whom ever learned to read English. Mr. Bloom’s literary journey began with Yiddish poetry, but he soon discovered the works of Hart Crane, T.S. Eliot, William Blake and other poets. He would allege that as a young man, he could absorb 1,000 pages at a time.

“The sense of freedom they conferred,” he wrote of his favorite books, “liberated me into a primal exuberance.”

He graduated in 1951 from Cornell University, where he studied under the celebrated critic M.H. Abrams, and lived abroad as a Fulbright Scholar at Pembroke College, Cambridge. After earning his doctoral degree from Yale in 1955, he joined the school’s English faculty. Mr. Bloom married Jeanne Gould in 1958 and had two sons.

In the ’50s, he opposed the rigid classicism of Eliot. But over the following decades, Mr. Bloom condemned Afrocentrism, feminism, Marxism and other movements he placed in the “School of Resentment.” A proud elitist, he disliked the “Harry Potter” books and slam poetry and was angered by Stephen King’s receiving an honorary National Book Award. He dismissed as “pure political correctness” the awarding of the Nobel Prize for literature to Doris Lessing, author of the feminist classic “The Golden Notebook.”

“I am your true Marxist critic,” he once wrote, “following Groucho rather than Karl, and take as my motto Groucho’s grand admonition, ‘Whatever it is, I’m against it.’”

In “The Western Canon,” published in 1994, Mr. Bloom named the 26 crucial writers in Western literature, from Dante to Samuel Beckett, and declared Philip Roth, Thomas Pynchon and Don DeLillo among the contemporary greats.

Mr. Bloom’s resistance to popular culture was emphatic, but not absolute. He was fond of the rock group The Band and fascinated by the Rev. Jimmy Swaggart and other televangelists. He even confessed to watching MTV, telling The Paris Review in 1990 that “what is going on there, not just in the lyrics but in its whole ambience, is the real vision of what the country needs and desires. It’s the image of reality that it sees, and it’s quite weird and wonderful.”